Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 33 Metascore
    • 38 Reviewed by
      Ty Burr
    Equilibrium just happens to be a really bad comic book.
  1. Like no movie before it, Adaptation risks everything -- its cool, its credibility, its very soul -- to expose the horror of making art for the business of entertainment.
  2. As ambitious as this may be, however, the movie's objectives tax its energy even as the girls' plight tears at your heart.
  3. Who most of these exquisitely costumed people are I have no idea, but they brush past the camera in such rapids of jubilation it's a wonder they don't knock the thing over. I watched most of the film exhilarated, but depressed that I'm not a big Russophile.
  4. At some point, I just tired of looking at all the nicely composed shots unworthy of the stock they're printed on. Lives are at stake here, and I don't mean Julia's and her annoying pals'. I mean the lives of you and me, the only pronouns that really matter here.
    • 67 Metascore
    • 75 Reviewed by
      Ty Burr
    To appreciate Solaris, the new film by Steven Soderbergh, it helps to downshift your moviegoing metabolism to a level approaching the cryogenically frozen: The movie's that cerebral, that contemplative, that slow.
  5. What's special about the movie is how totally it believes in itself as a musical. The tunes, co-written by Sandler and a bunch of his pals, take on rock opera and traditional Jewish folk music with boyish exuberance.
  6. Die Another Day is still as professionally mediocre as its predecessors.
    • 70 Metascore
    • 50 Reviewed by
      Ty Burr
    This isn't a movie -- it's an author in love with the sound of her own voice.
    • 49 Metascore
    • 63 Reviewed by
      Ty Burr
    That uncertainty -- in the professor, in the audience -- is what drives Emperor's Club to a surprisingly thought-provoking, even disturbing conclusion.
    • 84 Metascore
    • 88 Reviewed by
      Ty Burr
    The key to why the new ''American'' is so good and so true, though, is Brendan Fraser as the title character.
  7. Would have benefited from putting a wider lens on the man and his detractors.
    • 86 Metascore
    • 75 Reviewed by
      Ty Burr
    Odd, moving, strained cinematic poetry.
  8. Loaded with priceless encounters that would seem incongruous in any other movie but play here as low-comedy facts of some parts of black life.
    • 76 Metascore
    • 75 Reviewed by
      Ty Burr
    One hell of a party, and it doesn't let anything get in the way of that.
    • 60 Metascore
    • 63 Reviewed by
      Ty Burr
    Like ''Blair,'' it never quite finds a way out of its own built-in dead-end.
  9. Brilliantly named Half Past Dead -- or for Seagal pessimists: ''Totally Past His Prime.''
  10. Bernal, with his sweet man-boy looks, makes Padre Amaro's portrait of corruption all the more flabbergasting in its irony.
  11. The screenplay's intelligence begins to break down in Egoyan's formal choices. Ideas never elude Egoyan, but boy does Saroyan's epic look uncertain and cruddy.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    Moves the franchise even closer to Indiana Jones territory, with bloodcurdling action scenes and a passel of climactic computer-generated slime beasties unparalleled in their potential ability to -- I'm quoting from both book and film here -- '' rip, tear, rend, kill. ''
    • 68 Metascore
    • 88 Critic Score
    This is art paying homage to art.
    • 54 Metascore
    • 75 Reviewed by
      Ty Burr
    Think low-budget ''Moonstruck'' but think again: A regional dish in the most heartwarming sense.
  12. This is a love letter from one auteur to another that doesn't feel like a term paper. Instead, Far From Heaven is an honest-to-God drama with resonance all its own.
  13. A hip-hop cousin of Prince's ''Purple Rain,'' which had braver fashion sense and better original songs.
    • 60 Metascore
    • 63 Reviewed by
      Ty Burr
    Fatale is, truthfully, a mess - an absurdly overwritten Eurotrash thriller that beggars an audience's suspension of disbelief. It's also great over-the-top moviemaking if you're in a slap-happy mood.
  14. The film spends its first half explaining the song -- famously and vividly about the cycle of Southern lynching. Its better second half-hour unmasks its composer as a compassionate Jewish guy from the Bronx.
    • 60 Metascore
    • 75 Reviewed by
      Ty Burr
    As literary desecrations go, this makes for perfectly acceptable, occasionally very enjoyable children's entertainment. You'll forget about it by Monday, though, and if they're old enough to have developed some taste, so will your kids.
  15. Though it never rises to its full potential as a film, still offers a great deal of insight into the female condition and the timeless danger of emotions repressed.
  16. The film's unhurried pace is actually one of its strengths. Entirely appropriately, the tale unfolds like a lazy summer afternoon and concludes with the crisp clarity of a fall dawn. That's not just a farm movie, that's life.
  17. That commendable sense of balance, which Dolgin and Franco use to approach this family reunion, ultimately makes the finished product devastating.

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