Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    It's a fine line between interesting characters and "Northern Exposure" quirk, but the movie mostly stays on the right side of it.
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    At the very least, Agora finally gives Rachel Weisz a role that almost exactly matches her intense, humorless, but undeniable star charisma.
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    There’s nothing in Military Wives you haven’t seen before, but these are times of comfort food, and this formulaic comedy-drama about a group of British army-base spouses who start a choir is so determined to be uplifting that your up may be lifted in spite of itself.
  1. Some of the exotic landscape the group trailblazes looks imported from “Avatar” — happily, bringing that immersively dimensionalized, eye-catching quality along with it.
  2. This is not “Rain Man”; it’s better.
    • 55 Metascore
    • 88 Reviewed by
      Ty Burr
    Among the most insane mainstream movies ever released.
  3. The movie is a commercial for Hugh Hefner that makes his magazine seem like "Seventeen."
  4. Rendition is a reminder that, in the wrong hands, political outrage can be a slog.
  5. A Cinderella subplot involving the prince’s scullery maid (Zooey Deschanel) is similarly both familiar and tonally refreshing, from the whimsical vocals to the disco skate that subs for a glass slipper.
  6. It's lacking in eventfulness and drama, but there's a sweetness in it that places it a cut above most synthetic children's films. As a writer and director, Evans doesn't always know where to go with his material, but at least there's some feeling behind it, and this sometimes rescues it from its becalmed predictability. [7 Apr 1993, p.49]
    • Boston Globe
  7. A feel-good but inane Disney production.
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    Bra Boys uses reenactments to make the case that Jai acted in self-defense, but the tactic comes off cheap and unconvincing. Worse, the director never bothers to talk to anyone outside the tight coterie of insiders. Why should he when his brothers' freedom is at stake?
    • 55 Metascore
    • 38 Reviewed by
      Ty Burr
    Hopefully the last, of the fake trailer spinoffs of 2007's "Grindhouse." It makes last year's "Machete" look like "The King's Speech."
    • 55 Metascore
    • 63 Reviewed by
      Ty Burr
    If product proves especially difficult to swallow, take with a grain of salt and three or more alcoholic drinks, or wait until such time as active ingredients Hathaway and Gyllenhaal have been more effectively utilized elsewhere.
  8. It plays something like Robert Altman Lite. It's saved from writer-director Willard Carroll's increasingly forced linkages and made watchable by the resourceful acting of its ensemble, some of whom get more to work with than others. [22 Jan 1999, p.D4]
    • Boston Globe
  9. The movie partners all the cliches of the inner-city school drama with the cliches of the dance instructional, and the two keep stomping on each other's toes.
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    What it is is watchable, a thoroughly professional piece of Great Man hackwork that lacks the invention and spirit of its obvious model, "Shakespeare in Love.''
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    The man inside that legend has yet to come into focus 40 years on. Morrison wanted the world and he wanted it now, and he got it. What When You’re Strange can’t admit is that he had no idea what to do next.
  10. By now, Rocky of the drooping eyes and damaged brain has turned guru, emphasizing heart, soul and family ties when the evil promoter starts goading him and playing mind games with his protege. Stallone, said to be following Arnold Schwarzenegger into comedy, is starting earlier than anyone realized. [16 Nov 1990, p.78]
    • Boston Globe
  11. In attempting to show us a love blind to class, culture, and color, she's (Chadha) also made it bland.
  12. Keener’s performance keeps the film grounded even as blunt scenes of the opposing camp’s machinations flirt with soap opera villainy.
  13. There's nothing really wrong with Agnes Browne, except a tendency to take a few easy, convenient outs.
  14. It's good cornball mainstream sci-fi, as close to brand-name reliability as this genre gets. [18 Nov. 1994, p.47]
    • Boston Globe
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    An important film, on an important subject, that has had the life beaten out of it by Robert Redford, a man who should know better.
  15. A sharper script would have been the real ultimate weapon.
    • 55 Metascore
    • 25 Reviewed by
      Ty Burr
    One hundred and thirty-two minutes of shrill, self-satisfied jazz hands, The Prom may be the biggest disappointment of the season.
    • 55 Metascore
    • 50 Critic Score
    If The Lion King redux sounds wild, the result is surprisingly tame.
    • 55 Metascore
    • 38 Reviewed by
      Ty Burr
    Aggressive visual invention is rarely its own reward, and this movie does nothing to better the odds.
    • 55 Metascore
    • 50 Reviewed by
      Ty Burr
    Ira Sachs’s muted family drama has locations to make a moviegoer swoon, rich music and cinematography, acting that’s attentive and wise. All that’s missing is a story.
  16. The real problem with The Astronaut Farmer is that it has no spark.

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