Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
  1. Returning director Wilson Yip commits to this tone too late, getting lost in tangential conflict and stunt casting — in this corner, Mike Tyson! — at the expense of the drama and even the action.
  2. Monkeys end up supplying the movie’s real drama. While parentally overlooked mischief-maker Tao Tao gets up to the requisite, well, monkey business, he’s also witness to a stunning snatch-and-fly attack by an opportunistic goshawk. It might not be nature on demand, but it’s some scene.
  3. This 19th Bond installment is passable, but only just.
  4. Despite the artful, passionate performances by the cast, his experiment comes across more as contrivance than a work of thoughtful, aesthetic detachment.
    • 57 Metascore
    • 38 Critic Score
    Except for the evocative sets and Randy Newman's upbeat musical score, Ragtime is better read than seen. [18 Dec 1981]
    • Boston Globe
  5. It's more like a cartoon with a body count.
  6. Dicks: The Musical is a three-star movie with a midnight crowd and a two-star movie when viewed at 3 p.m. My star rating splits the difference.
  7. The best parts of Flicka are its pinch-me optimism and its old-fashioned-movie flourishes.
  8. The liveliest, most original family values film of the year so far.
  9. Intermittently engaging but inescapably overextended.
    • Boston Globe
  10. In a summer in which every blockbuster is zealous to be a video game, Rodriguez, with a wink, has produced his own.
  11. This tired little movie got on my last nerve. If Driss is so charismatic and so full of ingenuity, why isn't he using any of that skill to help lift up his family?
    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    For a holding maneuver, Thor itself turns out to be diverting enough - not close to a sharp-edged romp like "Iron Man" but not the B-movie roadshow some of us were expecting.
  12. In short, Permanent Midnight is about what you would expect from a mild-at-heart movie that wants to titillate with a fallen artist story that has a wholesome outcome. [18 Sep 1998, p.D9]
    • Boston Globe
    • 57 Metascore
    • 75 Reviewed by
      Ty Burr
    It's a genre film - the action is fierce and nonstop - with a brooding undercurrent of unease that aims for the complexities of John le Carre.
    • 57 Metascore
    • 38 Reviewed by
      Ty Burr
    Ball's trying to be honest about adolescent coming of age, but since he's dishonest about everything else, the movie collapses in on itself.
    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    An elegantly made, almost unbearably depressing tale of WWII-era deprivation and survival.
  13. Teeth is the "Incredible Hulk" of sex satires.
  14. Charming, but not seductive.
  15. Exuberantly mixing live action and animation, it's a high-energy dream teaming that shrewdly takes advantage of the chance to goof on Jordan's temporary retirement from basketball and unsuccessful fling at baseball, and even more winningly exploits the antic wildness that always distinguished Warner Bros.' bouncy Looney Tunes. [15 Nov 1996, p.D1]
    • Boston Globe
  16. A sometimes clever but ultimately clichéd comedy.
  17. For all its Himalayan aspirations, "Little Buddha" is shallow and superficial.[25 May 1994, p.69]
    • Boston Globe
  18. The cast is strong. Kudrow and Gyllenhaal provide the movie's emotional center.
  19. The pervasive, absorbing bitterness and hurt falter only when the story eases off its characters’ cynical insistence that people don’t change. Sudeikis knows how to play jarringly nasty — see “Colossal,” for one — but choked-up can be a reach here.
    • 57 Metascore
    • 63 Reviewed by
      Ty Burr
    Tidily arranges its raw feelings about fathering and manhood into a decent, intelligent melodrama meant to soothe audiences and provoke no one.
  20. One of the most warmly beguiling romantic comedies the Southern Hemisphere has sent our way in ages.
  21. Mac's TV show seems to have trained him to settle for feel-good tack-ons that cut against the prickly nature of Mr. 3000. The actor has such a serious and wise bearing that it's hard to believe Stan as a shallow jackass, which is why several of his scenes with Boca seem phony.
  22. It's looking for comedy and romance in the obvious places.
  23. Sacrifice wants to have it both ways. It's willing neither to give itself up to the goofy sincerity of genre conventions nor to make the demands on viewers that serious drama requires. The sacrifices Chen's characters make would signify that much more if he'd made a sacrifice or two himself.
    • 57 Metascore
    • 38 Reviewed by
      Ty Burr
    The movie plays like a global-political farce made by people who’ve never left the Upper West Side.

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