Boston Globe's Scores

For 7,949 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7949 movie reviews
    • 76 Metascore
    • 88 Reviewed by
      Ty Burr
    Both actors are among the best, most intuitively creative we have, and whatever transpires offscreen in Crowe’s case, onscreen they only serve their characters. Neither man showboats here, and it’s a thrill to watch them work.
  1. The platitudes in this gratuitously sentimental movie are taken a lot more seriously than the people.
  2. It's so simple, so obvious - and a revelation.
    • 55 Metascore
    • 75 Critic Score
    A hilarious, touching, and (except for a dip into melodrama near the end) skillful blend of subtle emotional depths and a dazzlingly playful surface.
    • 49 Metascore
    • 63 Reviewed by
      Ty Burr
    Absolutely not for feminists, lovers of period films, and anyone whose sensibilities are bruised by over-the-top stuntwork, it's a cocktail made up of three parts testosterone to one part brains.
  3. This new goof might have been funnier still if the premise weren't so derivative, so just been there, done that.
    • 54 Metascore
    • 50 Reviewed by
      Ty Burr
    Genocide is hard to decorate with the trimmings of dark farce. The Hunting Party wants to get at political truths through audaciousness, but it keeps bumping into that problem of taste, only to back down.
  4. Despite timely and worthwhile subject matter, there is nothing very inspired or inspiring in what makes it to the screen. Maybe they're saving all of that for the sequel, too.
  5. Garlin's movie is beautiful in its own way. It also suggests that David's show would still be brilliant without the aggravation. I'm not saying that David should renounce misanthropy. But maybe he could curb less of Garlin's apparent enthusiasm for people.
  6. The cynics will slap their foreheads, the squeamish will cover their eyes, but the revenge movie fanatics should be nice and satisfied after the whole ordeal.
  7. As with Zombie's two previous schlock horror features, "House of 1000 Corpses" and "The Devil's Rejects," the atmosphere here isn't so much tense and jolting as unnervingly weird and gory, but it's effective.
  8. This intriguing story, like many tales of mid-20th-century American art, is fueled by testosterone.
  9. It's worth noting that the movie's spiritual underpinnings are sometimes fairly subtle and other times veer into "Touched by an Angel" territory. The third act is downright Bible-thumping.
  10. The movie flaunts its ridiculousness and offers a relentless string of jokes about blindness, groin-bashing, and bodily odors.
  11. Unlike most of what Moore has been in, Dedication is unlikely to delight retirement homes on movie night. But it's not imaginative, lively, or true enough to speak to its intended audience of American Apparel shoppers, either. It's a slog.
  12. Deep Water, which had seemed like a sort of Conrad novel, takes on the aspect of Dickens at his darkest.
    • 40 Metascore
    • 63 Reviewed by
      Ty Burr
    The movie's a genuine oddity: a Latino action drama with one foot in bullet-spitting genre flicks -- '70s blaxploitation and '80s coke-kingpin films are the primary reference points -- and the other in raggedly personal family melodrama.
    • 56 Metascore
    • 75 Reviewed by
      Ty Burr
    Either you'll find the man hilarious -- or he'll seem like one of those awful, tedious comedians who only THINKS he's hilarious.
  13. The movie's banal fantasies badly chafe any anthropological consideration of what a girl should do with her career. This isn't life. It's Lifetime.
  14. If most boxing movies are about redemption, Resurrecting the Champ is a boxing movie that goes to exasperating lengths to redeem its boxing writer.
    • 57 Metascore
    • 38 Reviewed by
      Ty Burr
    The film is low budget but puffed with self-importance, and it offers proof that Hollywood filmmakers should probably steer clear of topics that actually matter.
    • 25 Metascore
    • 50 Reviewed by
      Ty Burr
    The movie isn't THAT bad -- it's just made-for-TV historical treacle that has somehow found its way to the big screen (and barely that; if you want to be moved or outraged by the film, you'll have to travel to Danvers or Revere).
  15. War
    Fun here is fleeting.
    • 45 Metascore
    • 38 Reviewed by
      Ty Burr
    When Laura Linney turns up about an hour into The Hottest State, you can see the movie that might have been.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    Shot with intentionally banal anti-style - minimal soundtrack music, found sound, jitter-cam - the movie achieves a wisdom that's bigger than it seems.
  16. As films about the young and the horny go, I preferred the smarter approach director Jeffrey Blitz takes in "Rocket Science."
    • 67 Metascore
    • 63 Reviewed by
      Ty Burr
    Death" builds slowly and inexorably to a comic explosion that's just too good -- too insanely, impossibly mortifying -- to spoil here. Let's just say it dwarfs everything that has come before it.
  17. Technique is all you have to admire. There's nothing underneath the formal exercise. The film's coyness about what's happening is cheap.
  18. The title is Portuguese for "send a bullet" and the clever American tag line is "the rich steal from the poor; the poor steal the rich."
  19. The word bears repeating, so everyone from Andrew Weil to Stephen Hawking to Mikhail Gorbachev is here to speak the still-inconvenient truth. The filmmaking, however, is far more relentless than in that Oscar-winning Al Gore slide show.

Top Trailers