Need for Speed Most Wanted does a great job at what it's supposed to - the cars feel good, the game looks pretty and the multiplayer is phenomenal. Some curious decisions hurt more than they help, and I'll never get used to the LSD inspired intro videos, but overall it's evidence that Criterion are getting ever closer to nailing that balance between arcade and simulation racing.

There is a thin line between telling the player a story and letting them experience it, and it's one the previous games parkoured along with only the occasional misstep. Assassin's Creed 3 however, falls flat on the side of telling you its story - and it would be unforgivable if it weren't for the billion other things you can do in the game.

Most importantly, what Skylanders Giants achieves is a superior sequel to a hugely successful first game and demonstrates that developers and publishers are capable of innovation in a period where all we've come to expect are carbon copy sequels.

It's a different beast to its predecessors, but it's incredibly addictive and easy to start playing at 4:00 and only realise you haven't moved since at 11:00. The way Firaxis have used personalisation to give you a sense of attachment to what are otherwise personality free characters is excellent and makes XCOM an excellent addition to any gamer's library.

For an arcade downloadable title Mark of the Ninja brings substantial value for money. A single playthrough will keep you entertained for over a half dozen hours and that's just the tip of the sword.

Resident Evil 6 is as confused and destitute as its zombies, left adrift without any true direction, an action game stuck over the top of a survival horror engine.

Dishonored, like Thief, or Deus Ex, is one of those timeless games you'll play a dozen times. The game world is gorgeous - a steampunk City 17, the story is spectacularly written and almost depressingly dark and the gameplay is wonderful - either as a stealthy game, or an action fighter... or anywhere in between. Dishonored is all about giving - it gives you the weapon, it gives you the name, and then it gives you the choice - vengeance is entirely up to you.

It's a fantastic looking game - but more importantly, it's a fantastic feeling game.

A great game. As far as gameplay goes, this is going to bring back memories of the earlier Diablo games. The story is perhaps less interesting, but it certainly doesn't take itself as seriously as Diablo so I'm happy with that. For the price Runic are charging, this is an absolute gem - and I've got an empty socket.

FIFA 13 - by way of first touch control, improved Attacking AI and skill-bridging features - is the best football game on the market...Thanks to a few janky player collision interpretations, some frustrating AI decisions and a sub-par commentary it's not the best football game it can be - but that won't stop me from playing it for hours and hours and hours and...

Tekken Tag Tournament 2 is a well-made fighting game that is at its best in a room full of friends with a passing interest in Tekken in general. It's a love letter to Tekken fans, and people who want to see a kangaroo beat the **** out of a dinosaur.

It's expertly paced, cleverly written, gorgeously refined and beautifully executed. What surprised me the most is the sheer level of detail involved. Personalised character elements, the duel for loot system and the depth of your skill tree customisation makes playing for yourself more satisfying than ever. Symbiotic AI and meta-challenge systems give you more reason to fight on. And a combination of loot-chasing and story make Borderlands 2 a must own.

I'd recommend Tokyo Jungle to anyone looking for an utterly unique take on the post-apocalyptic theme. It's the sort of game that can get overwhelming if you play it all in one weekend, but if you jump into it every now and then you'll find yourself repeatedly enamoured with the world.

A fitting sequel and takes several important strides forward for the franchise. The strengthening of the multiplayer adds some much needed replayability, the sense of scope and scale is impressive and allowing you to see the climactic battle through the eyes of a smorgasbord of Autobots and Decepticons, each with wildly differing play styles was a definite step in the right direction.

If you only listen to Cradle of Filth or Jay-Z you will probably find very little to enjoy about the game. But if you like your music a bit softer and a bit more electronic and if you like the idea of making music and then sharing it with your friends (and the world) I can't imagine a better game for you.

Even with the despicable lack of Old Salty Crab content in Sleeping Dogs, it is definitely worth your time. It's fun to run about beating people up, sing Karaoke and jump from car to car and it is made even better by Sleeping Dogs' excellent story and characters.

Darksiders 2 "the game" is worth your time. Darksiders 2 the story is a little forgettable - and that's a bit disappointing, considering the first game contains one of my favourite moments in recent video game history.

The environments and the reasonably compelling flashback atmosphere lend what would otherwise be a pretty poor game a glimmer of hope.

If the shift powers had been less drip-fed, the puzzles more open to experimentation, the dimensions less generic and the general conceit more fully realised, Quantum Conundrum may well have blown us away as much as Portal did.

It's not a particularly great rhythm game, nor is it really a Final Fantasy one, but for some reason the two work together well.

The Amazing Spider-Man isn't a bad game outside of its ridiculous story - it's just pointless. It's very nice looking and it is very cathartic to swing about the streets of Manhattan, but without a good reason to do it, you might as well not bother.

The Line lacks a strong direction. There's a very powerful hint of an outstanding game sitting beneath what is ultimately a flawed experience. I can imagine it being easier to play on PC - not something you'd typically say about a third person shooter - and yet I can't see that making up for all of its faults.

Roaming around a vast countryside in Dragon's Dogma is the sort of adventuring experience I imagined playing Dungeons & Dragons growing up. It's about hunting down great monsters, about charting areas on your own and about remembering what it's like to be afraid of the dark - and then conquering that fear.

I've played 28 hours of Diablo 3 (according to the in-game measurement) - but this isn't the whole story. I've spent six hours not playing it - nearly a quarter of my time total. With no competitive multiplayer (except for the facile concept of a 'race to the finish line'), constant network related issues and what I feel is negative movement in terms of the 'loot' metagame, Diablo 3 in its current state isn't something I see myself playing any more.

If you don't need mods and prefer to play on your Xbox 360, Minecraft: Xbox 360 Edition is much better built than its PC partner. Long time fans will no doubt find some of the differences disappointing - for instance the world is limited to 1024x1024 - and while this is small compared to the PC version, with an 8 player multiplayer limit it's still massive. If you are looking to finally see what the fuss is about, Minecraft: Xbox 360 Edition is an excellent purchase.

Max Payne 3 makes you feel like the man with a very particular set of skills. With a good story, jaw-dropping action and fantastic graphics, it's a must-experience game. It's an homage to some fantastic movies, it's a step forward for Rockstar games and it's a satisfying continuation of the Max Payne saga.

It's a story-heavy sequel to a game with a pretty forgettable story and the story it has is almost laughably bad. It abandons the concept of being a supervillain, but never burdens you with the responsibility of being a good guy and ultimately, it brings almost nothing new to the franchise.

With an intensely addictive gameplay model - the sort usually seen in the likes of Angry Birds - and expertly created tracks and game modes, Trials Evolution is a must-buy.