SoulCalibur V closely resembles the Modern Warfare of fighting games with an instantly forgettable story line in its single player campaign paling before a more robust multiplayer and online component. Ignore the story mode and delve deeper into the arcade, character creation and versus modes for the best experience. It's not even close to the finest incarnation of the series but it looks quite pretty and is still reasonably solid.

Suffice to say, if you can live with the juvenile humour and mental blank slate which makes up Garcia's education, Shadows of the Damned is an awesome game with great gameplay and graphics and it's a hell of a lot of fun.

HOI3 has a steep learning curve and it will be a struggle at first, but once you've got it all under control you can have some serious fun.

With almost every aspect of the game improved and streamlined, one disappointing thing - and something that seriously limits the game's potential - is the lack of a good ladder & match-making system right out of the box.

The single-player alone doesn't make Shank 2 a must buy, but if you enjoy horde modes with a spicy Mexican twist then Shank 2 is an unbelievably fun addition to your party game collection.

Fans of the Lego Star Wars games, fans of Indiana Jones and gamers looking for a fun distraction even the younger ones can get into will enjoy Lego Indiana Jones: The Original Adventures.

If the shift powers had been less drip-fed, the puzzles more open to experimentation, the dimensions less generic and the general conceit more fully realised, Quantum Conundrum may well have blown us away as much as Portal did.

EndWar is probably the best attempt at a RTS on consoles, while it’s far from perfect Ubisoft has managed to find a way to allow you to command an army in short but explosive battles - which should suit most console owners. Even though the single-player is best left untouched and the graphics are not up to par with other new release titles like GOW 2, there’s still a lot of fun to be had here with EndWar if you’re a fan of online gaming.

If you're after a story-driven action horror title, grab Metro 2033. The AI quirks don't detract from the outstanding graphics and the overlapping voice-acting only slightly degrades the overall atmosphere.

The more I played it the less I wanted to as the story got sillier and the horror theme phased in and out. I wouldn't recommend F.E.A.R. 2 to anyone except the ultra hardcore fans of Monolith Productions - even then you'd be better off playing Condemned 2.

Insanely Twisted Shadow Planet's biggest boon is that tries to do something different, and it does it well. It falters early on with unintuitive tutorial sections - at a time in the game where it needs to be as intuitive as possible - but this forces the player into the deep end, and it's probably not a terrible thing considering how the game plays out.

Crysis 3 almost knocks it out of the ballpark on so many levels. The controls and visuals are certainly spot on, but the level design and pacing both have sporadic moments that let it, and you, down.

Fans of Transformers - real fans, the people with the cartoon series and die-cast toys - will probably get a huge kick out of the story behind Transformers. They might even get enough out of it to overlook the insipid level design, borrowed gameplay elements and sloppy AI.

The Line lacks a strong direction. There's a very powerful hint of an outstanding game sitting beneath what is ultimately a flawed experience. I can imagine it being easier to play on PC - not something you'd typically say about a third person shooter - and yet I can't see that making up for all of its faults.

The game has two main targets in sight – people who like hardcore, realistic tactical shooters and people who like World War II. While the latter group will get more out of the game than the former, there’s still enough intelligent design, still enough realism to appeal to both equally.

Singularity is a game which uses the concept of time travel less as a game mechanic, plot driver or interesting concept and more as a distraction. This philosophy carries across the entire title - graphics, story and puzzles all seem to simply serve as filler to keep your attention between shooting things.

While its cover and suppression systems and tanks are outstanding, there are far too many bugs throughout the single and multiplayer game. While broken animation and even the bizarre leveling bugs can be ignored to an extent, the constant framerate and sound dropping - not to mention outright crashes - make RO2 too frustrating at the moment - and sadly it's only going to get worse as more people get fed up and move on to something else.

Roaming around a vast countryside in Dragon's Dogma is the sort of adventuring experience I imagined playing Dungeons & Dragons growing up. It's about hunting down great monsters, about charting areas on your own and about remembering what it's like to be afraid of the dark - and then conquering that fear.

No, F.E.A.R. 3 isn't scary - but considering the length of the singleplayer and the strength of the multiplayer, I don't think it really matters.

Any fan of wrestling - old or new - with friends should pick up All Stars (and a case of Stone Cold's favourite beverage) - though it doesn't have the same strength for those playing alone.

Some people might lament the nature of an open-world game with so little to do outside of the storyline - they're missing the point. Outside of a lame ending, Mafia 2 is a driven, focused mobster game, well worth the price of entry. If you're a fan of shooting, driving and mobster stories, go and grab Mafia 2.

The bottom line is that Raskulls is a devilishly unique, polished game with a flair and charm missing in most. Worthy of a purchase unless your aversion is something fundamental (like not being on Xbox Live). Raskulls is a superbly crafted platformer which should appeal to everyone.

At just under twenty bucks, Shank is great value for money. The look and score is sex on legs, the gameplay is solid and racking up combos is painfully addictive.

A game unlike no other. Every minor failing in gameplay or plot was cancelled out by a graphical marvel or auditory explosion.

It's a story-heavy sequel to a game with a pretty forgettable story and the story it has is almost laughably bad. It abandons the concept of being a supervillain, but never burdens you with the responsibility of being a good guy and ultimately, it brings almost nothing new to the franchise.

I started Magicka over from the beginning six times in my attempt to give it the best possible chance I could. In the end though, I can't possibly suggest anyone spend any money on a game released in such a broken state, whether it's ten dollars or ten cents.

Our problem is where Polyphony Digital has focused their content here. 800 cars and 35+ tracks(which can be played in reverse) is super generous and no small feat to cram into a PSP. We'd trade half of them for a career mode – even if it was a cut-down version of past GT games – so we'd feel like picking the game up for a quick race was actually progressing something more than our track and car count.

I'd recommend Tokyo Jungle to anyone looking for an utterly unique take on the post-apocalyptic theme. It's the sort of game that can get overwhelming if you play it all in one weekend, but if you jump into it every now and then you'll find yourself repeatedly enamoured with the world.