BBC Music's Scores

  • Music
For 1,831 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Live in Detroit 1986
Lowest review score: 20 If Not Now, When?
Score distribution:
  1. Negative: 7 out of 1831
1831 music reviews
    • 79 Metascore
    • 60 Critic Score
    There's little denying the sincerity of No Color as both tribute and experiment, but the duo's previous work was just a shade more likely to make everyone fall in love with them.
    • 79 Metascore
    • 80 Critic Score
    Thompson’s classic folk rock formula is revived once more, and his frequent guitar solos are as sour as his lyrical wit.
    • 79 Metascore
    • 80 Critic Score
    The duo has followed through admirably with Invariable Heartache, a record that seeps with clear-eyed hope, regret and wisdom.
    • 79 Metascore
    • 80 Critic Score
    The suite's key strength, and one of the advantages of brevity, is its focus.
    • 79 Metascore
    • 70 Critic Score
    Astro Coast sounds so prescient that Surfer Blood will be riding a wave of popularity for a good few months yet.
    • 79 Metascore
    • 80 Critic Score
    Lawrence Arabia's narrator persona, with one foot sternly in the past and the other staggering, trying desperately to get away, loiters before it settles. This makes Chant Darling a charming listen whose dolorous sentiment recurs like a welcome motif, each song taking time to reveal its full charm.
    • 79 Metascore
    • 80 Critic Score
    At just 28 minutes long, Cat's Eyes certainly doesn't outstay its welcome. Hopefully this is the start of a very glimmeringly troubled yet wonderfully disturbed relationship. Amazing.
    • 78 Metascore
    • 60 Critic Score
    The first four tracks of new album The Big To-Do are a solid continuation of the Truckers’ recent winning streak....But just as it seems clear we’ve got another rough-edged diamond on our hands, the album begins to wander at its mid-point.
    • 78 Metascore
    • 80 Critic Score
    She's not displaying much in the way of stylistic evolution, but it's not exactly certain whether this is a negative factor. As ever, raging raw emotion shouts out of Niblett's gullet, whilst sludge-chords resound from her low-hung axe, following the Nirvana (and thence PJ Harvey) school of quiet-then-loud, loud-then-quiet, but nevertheless imposing her own unpredictabilities on this dynamic.
    • 78 Metascore
    • 70 Critic Score
    [Blue Moon] could be classified as a highly advanced form of lounge music.
    • 78 Metascore
    • 80 Critic Score
    "Powerful" is perhaps the most fitting word, and though the strength of certain arrangements can feel all-engulfing, there are too many moments of near-inexpressible, extravagant brilliance on The Silicone Veil to deny Sundfør's overall accomplishment.
    • 78 Metascore
    • 70 Critic Score
    For the most part, this is a fine debut and speaks of even finer things to come.
    • 78 Metascore
    • 60 Critic Score
    Throughout there is an attention to detail, to little tics and tricks in the mix, that make this a treat for listeners who still wear headphones. But mostly it's music for defunct--or, rather, Defunkt--nightclubs.
    • 78 Metascore
    • 80 Critic Score
    It's actually on the brighter, bolder, faster numbers that Take Care comes alive.
    • 78 Metascore
    • 60 Critic Score
    Really, though, this is nothing more than business as usual: some killer, some filler.
    • 78 Metascore
    • 80 Critic Score
    There's more to digest, and WALLS' personality becomes more evident.
    • 78 Metascore
    • 80 Critic Score
    While there are standouts, the whole is greater than its parts.
    • 78 Metascore
    • 80 Critic Score
    Antibalas is musical democracy in action, and an inspiring example of a band practicing what they preach.
    • 78 Metascore
    • 70 Critic Score
    It's easier to forgive the tracks that meander, ponder and lament. In fact, for better or worse, that's sort of the point.
    • 78 Metascore
    • 70 Critic Score
    These 13 songs are a bold leap forward for Zygadlo, and feel like a personal, intimate success.
    • 78 Metascore
    • 70 Critic Score
    Hardly revelatory then, but Nelson delivers hardy material like traditional Satan Your Kingdom Must Come Down and I Am a Pilgrim with such wizened assurance, it's impossible not to feel the love.
    • 78 Metascore
    • 80 Critic Score
    Ontario's Junior Boys have been charming us with their soulful brand of electro-pop for a good few years now, but they've never sounded as much fun as they do on new album It's All True.
    • 78 Metascore
    • 80 Critic Score
    The accessible groove of Flower and party-time refrain of ...Candyhands make for just two more standout moments on this terrific album that appears to achieve the impossible: making a breakup sound like just the most fun you could possibly have.
    • 78 Metascore
    • 60 Critic Score
    While The Haunted Man is an impressive record, one heavy with earnestness and polished sophistication, it's more like The Tin Man: somehow it lacks a heart.
    • 78 Metascore
    • 60 Critic Score
    A frustratingly slow-burning listen.
    • 78 Metascore
    • 80 Critic Score
    This is probably Foxx’s most superior post-Ultravox! LP to date, and definitely his best in a very long time.
    • 78 Metascore
    • 80 Critic Score
    Always is one of Stewart's most accessible albums.
    • 78 Metascore
    • 80 Critic Score
    In a career of benchmark highs, he's made yet another; and by doing the unexpected, it shows that whatever the sound of his records, the punk inside Moore still lives.
    • 78 Metascore
    • 80 Critic Score
    These 11 tracks flow fantastically, sounding like products of a focused period of writing and recording, completed over a relatively short space of time.
    • 78 Metascore
    • 80 Critic Score
    The production might be slick, but James relaxes into this framework, providing the necessary lived-in looseness.