BBC Music's Scores

  • Music
For 1,831 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Live in Detroit 1986
Lowest review score: 20 If Not Now, When?
Score distribution:
  1. Negative: 7 out of 1831
1831 music reviews
    • 79 Metascore
    • 60 Critic Score
    It's not so certain that Cowley's taste-making always succeeds, despite the overall optimistic vitality of his tunes.
    • 79 Metascore
    • 40 Critic Score
    It's just 11 tracks of mediocre and easily forgettable American rock, devoid of any bells or whistles.
    • 79 Metascore
    • 80 Critic Score
    Swanlights succeeds exactly where you might not expect it to: Hegarty sounds content, revitalised. This is a record that revels in a sense of joy.
    • 79 Metascore
    • 80 Critic Score
    Now, it seems, her time has finally come.
    • 79 Metascore
    • 90 Critic Score
    It's a mesmerising album which confirms that Björk can weave dumfounding wonders from Silly String--whatever's placed before her, she can turn to her advantage, taking her audience on a trip the likes of which no other contemporary artist is capable of planning, let alone embarking on. In a word: amazing.
    • 79 Metascore
    • 80 Critic Score
    As tasters go, it’s exciting fare: the appetite for more isn’t so much whetted as left in a state of delightful fervent.
    • 79 Metascore
    • 90 Critic Score
    Ten
    Ten is incredible. It's up there with Gold, Substance and Discography in terms of greatest-hits sets.
    • 79 Metascore
    • 70 Critic Score
    The Sea and Cake's music is more about mood than narrative, as with the largely acoustic Harbor Bridges' gorgeous evocation of summer's end.
    • 79 Metascore
    • 80 Critic Score
    With a signature sound established at the first time of asking, The xx's challenge was to both expand their palette and satisfy the demands of a huge audience. And through refinement rather than reinvention, they've succeeded in singular style.
    • 79 Metascore
    • 80 Critic Score
    From the disapproving father in Willie o Winsbury to the courageous, justice-seeking wife and mother in Geordie, the ballads’ centuries-old characters--and their dilemmas--are beautifully drawn.
    • 79 Metascore
    • 70 Critic Score
    It's lengthy, but the sensitivity of every guitar tickle and percussive touch, as well as main man Christopher Owens' spellbinding voice, means that it is rarely boring.
    • 79 Metascore
    • 80 Critic Score
    Throughout, the lyrical clarity and emotional honesty of the band shine through, creating an album that is as much uplifting as it is in parts bleak.
    • 79 Metascore
    • 70 Critic Score
    Thanks to her breezy bohemian charms, even its knottier moments start to unravel with repeated listens.
    • 79 Metascore
    • 70 Critic Score
    D
    While White Denim have a tendency to enthusiastically overcook things, ultimately it's their sheer audacity--allied to some strong tunes--that makes D hard to resist.
    • 79 Metascore
    • 80 Critic Score
    Aesop Rock shows an accomplished ability to join the unflinchingly candid with the unfalteringly compelling.
    • 79 Metascore
    • 70 Critic Score
    Nostalchic has a certain airiness, a focus on floaty atmospherics, that aligns it with the work of other washed-out boudoir crooners such as The Weeknd and How to Dress Well.
    • 79 Metascore
    • 80 Critic Score
    Oregon rock alchemists create soundworlds that one can be effortlessly immersed in.
    • 79 Metascore
    • 80 Critic Score
    It may not be a Tindersticks classic, in the same vein as 1997's sublime Curtains, but The Something Rain is a record full of mystery and intrigue that will keep you listening--and discovering new things each time--for a good while.
    • 79 Metascore
    • 80 Critic Score
    Don Was produced this. He must have loved it as much as the musicians did, and he obviously got it as nothing in the production interferes with the songs.
    • 79 Metascore
    • 80 Critic Score
    This isn't a conventional album by the ordinary standards of today, but it's fantastic. Crazy Horse are the perfect band for this sort of wistful noise, carrying both Young's simple melodies and his love of stretching out with equal ease.
    • 79 Metascore
    • 80 Critic Score
    More than a holding operation while Thomson tours with Ian F. Svenonius as two-man funk caravan Publicist, this is travelling music for swinging around asteroids or hurtling down a ravine.
    • 79 Metascore
    • 70 Critic Score
    You Stand Uncertain isn't quite legendary, but it is exceptional in today's hurried dance scene.
    • 79 Metascore
    • 70 Critic Score
    Hebden is right to think that presenting a distinct musical vision is more valuable than getting the listener from start to finish with as few bumps as possible. It's a decision that pretty much pays off, the result more a collage than a traditional mix.
    • 79 Metascore
    • 80 Critic Score
    Be Strong, in short, is superb: a joyous amalgam of disco textures and dancefloor stylings which never fail to bring a big grin to your face.
    • 79 Metascore
    • 80 Critic Score
    He Is #1 has a refreshingly unencumbered sound, a lack of technological interference allowing the honesty and authenticity of the music to shine through.
    • 79 Metascore
    • 80 Critic Score
    What remains is a nocturnal set of refined resonance.
    • 79 Metascore
    • 80 Critic Score
    Downtown Church is full of astonishing songs.
    • 79 Metascore
    • 60 Critic Score
    Velociraptor! is neither the classic Pizzorno insists it is, nor the numbskull stadium rock cynics will presume it is.
    • 79 Metascore
    • 70 Critic Score
    While it's no Costello classic, this repays patience.
    • 79 Metascore
    • 80 Critic Score
    A shimmering, lovely thing, this debut is also full of adventurous spirit.