Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. Perfume offers eau de crud.
  2. If you do insist on seeing this film, don't arrive late: the clever, animated opening credits are a stitch, suggesting a sprightliness of touch and winsome wickedness of tone that's missing from the rest of the movie.
    • Baltimore Sun
  3. Gory overkill.
  4. A mess.
    • Baltimore Sun
  5. Peaceful Warrior fails pitifully at being transcendent. This New Age movie about living in the moment gets you looking at your watch and squirming in your seat.
  6. Irreversible, though, is not a Kubrickian head trip. All Noe has come up with is a turn-on for sadists.
    • 45 Metascore
    • 25 Critic Score
    It's for those of us for whom killing people with high-powered guns in the movies is not only as good as sex but maybe better -- a sacrament for our age... [A] poorly written, badly directed film.
  7. In the Cut is a disaster. Familiar to the bone, arty on the surface, it could serve as the doomed pilot for a nightmare TV spinoff: Law & Order: Literary Victims Unit.
  8. There's a funny movie struggling inside of Dickie Roberts: Former Child Star. Too bad it never gets out.
  9. The two guys are potentially amusing but the screenplay is so naked in its manipulation of emotion that it feels infantile.
    • 20 Metascore
    • 25 Critic Score
    Stay away from this movie. Brainless cartoonish violence.
    • Baltimore Sun
  10. What we have here is a film where the first 20 minutes are repeated again and again until everything comes to an absolutely predictable end.
    • Baltimore Sun
  11. It's as if the book itself has been locked up and institutionalized, forced to conform to a system that all but obliterates its own unique personality.
    • Baltimore Sun
  12. It never seriously establishes the ground rules of the principle of transference or the relationship between the two of them, and so what follows is gibberish. [14 Jul 1992]
    • Baltimore Sun
  13. How did an embarrassment of comic-book riches become simply an embarrassment as a movie?
  14. The whirl, bang and general bother of crashing gears and gnashing metal ends up suffocating the senses.
  15. Even the great Lily Tomlin can't muster a funny reaction to a Polish joke. It's an everything-including-the kitchen-sink comedy -- and the sink has rusty pipes.
  16. Most of the humor is both determinedly puerile and unfunny, performed by a generic cast.
  17. A very funny movie ... in some alternate universe, maybe.
    • Baltimore Sun
    • 78 Metascore
    • 25 Critic Score
    Try as I might, I could not love it, because as a piece of cinema, Into Great Silence would try the patience of a saint.
  18. As ugly, excessive and vulgar as "The Usual Suspects" was stylish, subtle and suave.
  19. The movie is a corpse. It's a fish that stinks from the head. They ought to bury it in the Jersey Meadowlands. [25 Dec 1992]
    • Baltimore Sun
    • 11 Metascore
    • 25 Critic Score
    The bottom line is that the studio's marketing strategy is just a tad incomplete. Instead of hiding Pinocchio from critics, Miramax should have hidden it from everyone.
  20. The indisputably gifted Jim Carrey shows the side of him that just wants to be loved - the Riddler on Ritalin, the Mask unmasked. And it turns out to be stultifying.
  21. The animals in Road Trip are pretty hilarious; as a five-minute short on cable TV's "Animal Planet," this film would be a stitch.
  22. What can you say about a film where Carmen Electra's performance is one of the high points?
  23. The only way sober adults will keep awake is wondering how the lead mobsters on "The Sopranos" -- who also are amateur film critics -- will rank the movie next year on HBO.
    • Baltimore Sun
  24. There's not a moment in Boiling Point that could be said to achieve a narrative temperature of 212 degrees Fahrenheit. Boil? This limpid pool of cliche and predictability never even bubbles.
  25. Aimless and unfocused.
  26. Excruciating...The movie proves to be singularly unfunny and static almost from the non-get-go. Virtually nothing happens; the movie is all premise.

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