Baltimore Sun's Scores

  • Movies
  • TV
For 2,175 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Odd Man Out
Lowest review score: 0 Double Team
Score distribution:
2175 movie reviews
  1. It wasn't shot in Annapolis and doesn't have an original thought in its head. Other than that, Annapolis is a fine film.
  2. Read like a long, anguished prayer, but on screen it looks an awful lot like blasphemy.
    • Baltimore Sun
  3. In fact much of Guilty By Suspicion takes place in a trashy roman a clef zone, with bigger-than-life versions of famous moments and people; the trouble is, the bigger they are, the less like life they seem.
  4. Next may be the silliest movie of 2007.
  5. This is harmless fun for the holiday season, but Tim Allen doesn't give movie the punch it needs.
    • Baltimore Sun
  6. Bottle Shock wastes that intriguing bit of history and some seductive Napa Valley settings on a bland script that's part period piece, part underdog fable.
  7. But the film's most annoying error is the arrogant conceit of revisionism. It postulates a world that did not exist, because it exorcises the entwined concepts of communism and Cold War.
  8. There's no innocence left in Shrek 2. The helter-skelter story and throwaway gags emerge from a sensibility that confuses gossipy knowingness and jadedness with wit.
  9. Everything about this film is drenched in adrenaline.
  10. Let's get it out, loud and clear: Jerry Maguire is not a sports movie. It's a stealth chick movie, wrapped in a swaddling of jock stuff so that it gets through guy radar without setting off the missile defenses.
  11. Graeme Obree was a champion bicycler who, by all accounts, rarely took the easy way out. Too bad this movie version of his life doesn't follow suit.
  12. The end result is more a lecture than a film; audiences may come away understanding what went on, but for most, the emotional connection will be lacking.
  13. Smashingly stupid.
  14. Romanticism fights stoicism to a draw, and the movie grows ever more static, too. Down to the quasi-ambiguous hate-crime finish, Brokeback Mountain comes as close to being a still life as you can get with human characters.
  15. Johansson bequeaths the welcome sight of a talent in full bloom to this wilted, dark whimsy of a movie.
  16. Gory but lifeless.
  17. There's not a moment in Against the Ropes where you forget this is perky Meg Ryan up onscreen, talking trashy and acting tough.
  18. What we deserved was "The Island of Jeanne Moreau." That I'd pay to see.
  19. The Last Mimzy displays a gentle touch and the best of intentions. But the film's message never quite becomes clear; what, exactly, are young minds supposed to take away from this film?
  20. Mystic River wants to be a Bruce Springsteen-like anthem of life and death in blue-collar America. It's no more than a doggerel rendition of poetic injustice.
  21. Plot-wise, this is strictly paint-by-numbers stuff.
  22. Lacks suspense, momentum and visual panache.
    • 60 Metascore
    • 50 Critic Score
    Point Break has its areas of excitement, but on too many occasions the movie just lies there -- even when it does, however, the film still manages to look and sound good.
  23. This peculiar film is more than one beer short of a six-pack. It's part massive folly, part screwball tract and part steel nerve, even a little heroic. [25 May 1994]
    • Baltimore Sun
    • 38 Metascore
    • 50 Critic Score
    As disposable as aluminum cans without the promise of a cash return.
  24. All the Coens come up with is a movie about bad things happening to limited people.
  25. Like watching a 90-minute game of the video game Asteroids - all bang and no buck.
  26. Even the cartoon Pink Panther in the credits seems off - at once too glitzy and too fey, more Peter Allen than Pink Panther.
  27. Most of the fun to be had with Thr3e is to spot the movies from which it cribs. Beyond that, what one has is a conventional psychological thriller that cheats too often and depends on actors determined to play only one note.
  28. Valkyrie's political and military subjects may have sounded like sure-fire thriller material. Wilkinson alone proves that a suspense film thrives on intriguing characters struggling to survive. Nothing in Valkyrie is as compelling as watching tides of calculation crash across Wilkinson's face.

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