Austin Chronicle's Scores
- Movies
- Music
For 8,783 reviews, this publication has graded:
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41% higher than the average critic
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2% same as the average critic
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57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 58
| Highest review score: | The Searchers | |
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| Lowest review score: | Gummo |
Score distribution:
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Positive: 4,778 out of 8783
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Mixed: 2,558 out of 8783
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Negative: 1,447 out of 8783
8783
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Louis Black
This opulently romantic celebration of American imperialism certainly presents the contradictions and is one hell of an epic.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
One of Disney’s best and most popular live-action movies, this one is a favorite among those who grew up in the Seventies- Austin Chronicle
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Hooper's vision is horrid yet engrossing... But the worst part about this vision is that despite its sensational aspects, it never seems too far from what could be the truth.- Austin Chronicle
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Reviewed by
Louis Black
Bring Me the Head of Alfredo Garcia is a profound existential adventure, twistedly comic and openly bitter, brought to life by those two maniacs: Peckinpah and Oates.- Austin Chronicle
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To extend the boxing analogy, poker’s Raging Bull is the 1974 Robert Altman masterpiece, California Split.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Brooks’ early reputation as a film director rests with the success of this raunchy Western spoof. A great cast is eclipsed by the hilarious performances of Korman and Kahn, who plays a Marlene Dietrich-like chanteuse.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Nic Roeg here offers one of the most disconcerting portraits of otherworldliness ever seen on the screen.- Austin Chronicle
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This tear-jerkiest of rom-coms about a couple struggling through fundamental differences will hit you right in the feels.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
The three-and-a-half-hour-long movie revels in talk as this man ponders life, philosophy, the sexual revolution, the workers' revolution, love, death, and so on. He smokes, drinks, flirts, and talks – and the movie is exquisitely of its time.- Austin Chronicle
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- Austin Chronicle
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Like Night of the Living Dead, The Crazies offers no hope, no comfort and sure as hell no happy ending.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
The Hanna-Barbera animation is better than the studio’s usual bare-bones mediocrity, and the voice cast is superb.- Austin Chronicle
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Adapted from the Leonard Gardner novel, Fat City is long on character and short on plot (at times nearly playing like a Cassavettes film), but it's a crawl through the mud that'll stay in your psyche for days.- Austin Chronicle
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- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
From its silent opening moments to its breathtaking double-cross conclusion, Le Samourai is the work of one of the film world's great directors working at his expressive peak.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Frenzy is one of the great latter-day Hitchcocks; great technique, great suspense, and very black humor drive this tale of an innocent man hunted by Scotland Yard for a series of sex murders.- Austin Chronicle
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Richard Whittaker
It's that rare horror-comedy that is both comedic and horrifying.- Austin Chronicle
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Director Pollack and scriptwriter John Milius transform Vardis Fisher's novel Mountain Man into a gritty, cinematic tall tale that resonates across geography, time, and the loneliest regions of the solitary heart.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Just about as great as a movie's ever gonna be... As for the storytellng, The Godfather is an intricately constructed gem that simultaneously kicks ass.- Austin Chronicle
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Reviewed by
Marc Savlov
Pink Flamingos is, in its own unique way, the quintessential American Family Film. Not my family, certainly, and probably not yours, but a family nonetheless. So here's to family values. And shock values, too.- Austin Chronicle
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- Austin Chronicle
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This sophomore effort (his first feature after Night of the Living Dead) is difficult and often exasperating, but worth watching nonetheless. It's kind of a quasi-existentialist counterculture love story, rife with bad rock music and hipster dialogue.- Austin Chronicle
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If The Wild Bunch was Peckinpah's most violent film, surely Straw Dogs has to be his coarsest and most intense. Peace and love? Forget it.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
A chilling classic, the movie is a scabrous satire about human deviance, brutality, and social conditioning that has remained a visible part of the ongoing public debate about violence and the movies.- Austin Chronicle
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Between Plenty O'Toole and Tiffany Case, the diamond smuggler, this film is as over-the-top as they come.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Oscar-winning special effects and animation sequences by Ward Kimball make this musical fantasy a perennial favorite.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Although slowly paced, it is always stunning to look at -- decadent and perverse in that certain Eurotrashy way.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Roeg's points about the contrasts between noble savages and civilized effetes don't stand up terribly well over time.- Austin Chronicle
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Reviewed by
Marjorie Baumgarten
Fonda (who received an Oscar) and Sutherland are at the top of their game in this mystery/thriller that also provides a fascinating look into the mind and soul of a top NYC call girl.- Austin Chronicle
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Reviewed by
Selome Hailu
Sembène achieves this balance of tone with a mix of absurd and biting dialogue and a modest mise en scène.- Austin Chronicle
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