Butler's film hopes to confront our national battle fatigue so that we may move on.

Her mortal story seems one of sadness rather than inspiration.

This movie that wails with the intensity of a revival chorus is something we can all say amen to.

There's a genuine sense of loss when dreams go unrealized, and in these moments Dig! transcends the typical "rock movie" format and aspires to something greater: an examination of why we create and what we receive from art.

There’s a surprising lack of surprises in DreamWorks’ answer to Disney/Pixar’s runaway smash "Finding Nemo."

As a heartwarming tribute to the courage of firefighters, Ladder 49 delivers.

Inspiring and shows just how far a couple of guys, a few computers, and a good sense of humor can go.

Moog is an inventor's movie all the way.

Stupendously dull and infuriatingly obtuse.

A genuine cri de couer in the director’s long-running battle against the forces of censorship and a banal societal (and cinematic) status quo. And for those reasons along it deserves to be seen.

It’s a frequently riveting gambit, and the actors give it their all. However, the mood and the stylized camerawork make the proceedings too arch to completely succeed.

My favorite line from the movie: "The god---- truth won't fit in your brain." How's that for cheap gimmicks for getting out of having to make a movie make sense?

The most original comedy from either side of the pond in years.

"Dr. Goodlove," or "How I Learned to Stop Worrying and Love the Proletariat" might have been a better title for this ingratiatingly loopy origin story about prerevolutionary icon Ernesto "Che" Guevara.

Duigan has the makings of a good yarn, but instead of trusting the story and his characters, he becomes fatally bogged down in trying to make statements.

By the time it's over you find yourself wondering why more films don't have the chutzpah to delve deeper into the battle-weary heart.

This is your standard genre fare: Smart-a-- player gets schooled, finds love, and is redeemed in time for the final big game.

Everything here from costuming and production design to the note-perfect score from Edward Shearmur works in tandem to create not so much a film as a singular and joyous tribute to a vanished age when wonder only cost a nickel and played three time daily at the Bijou.

Innocence is possessed of a highly literate, almost classical story.

Terribly tender, good-hearted picture.

There’s definitely ore to be mined in Silver City but Sayles’ pan comes up with only particles of dust.

Movies about cons, if well done, are hard to resist – and such is the case with Criminal.

Despite the movie’s lack of anything resembling a narrative center, Testosterone isn't an entire waste of film stock – Sutcliffe, Sabato Jr., and especially the great Braga all act up a storm.

It's mad, bad nonsense of the summer, popcorn variety, disposable but oh-so-much fun to endure, a roller coaster on a wobbly cinematic track.

Fans of the video game will doubtless love it all but for true fans of the gnashing dead – and we count ourselves among them – this is strictly second-tier terror.

Everything else here – from the gross caricatures to the so-called comic mayhem – is sour to taste.

The most costly and the most popular film in South Korean history is also one of the most gripping and epic war films ever made, and certainly the only one I can think of the portrays the Korean war from the viewpoint of both sides of the conflict.

This American version can't hold a candle to its French counterpart, which was deeply, eerily resonant where this is only frustrating, a Rubik's cube, minus its colorful signage.