Everything genuinely good about this game exists mostly because the original Diamond and Pearl games had a good story and interesting characters. This game takes all those and rehashes it only through the veil of basic 3D characters that have the mobility of Funko Pops. Boring textures and an almost purposeful lack of detail takes something that was originally served as a masterful dish and converts it into a repackaged microwaved TV dinner.

Horace is an enjoyable game filled with interesting platforming mechanics. Unfortunately, its fun platforming and brilliant pixel art are buried beneath a pile of constant pop culture references, an obsessive need for close-ups and a plethora of free domain music.

While the story is built around an original premise (sentient self-delivering boxes), the gameplay is lacking in creativity and becomes repetitive fairly quickly. If you must play a 3D platformer with sentient boxes, then you must play Unbox: Newbie's Adventure. If not, then stick to Crash Bandicoot.

It’s hard not to enjoy Mortal Kombat 1, but the main story is too tied into the overall gameplay, which makes the “it doesn’t make sense” execution of it too difficult to ignore. The events of the story itself indicate that none of this should not be happening. While the rest of the game goes off without a hitch, the plot holes of lore-heavy focus and deep integration of its story take away from what Mortal Kombat 1 really could be.

Though interactions with noble aristocrats throughout the manor retain their charm, these moments are undercut by poor technical performance, disappointing pacing and an unfocused series of story beats. “Hide and Seek” flirts with squandering the series’ potential.

Omensight‘s fluid combat and colorful cast of characters are the stars in this time-altering murder mystery. The beautiful art style and personality of the game is enough to overshadow some of the sketchy platforming and camera angles. But the game’s surprisingly linear progression left me yearning for more mystery solving than was provided.

While a terrific game in it’s own right, Disco Elysium: The Final Cut just doesn’t cut it on Nintendo Switch. Lengthy loading times between small rooms and different floors of buildings makes the game drag enough to completely lose the narrative flow, which is a big problem considering narrative is its primary focus. If load times get fixed alongside the poor A.I. that tends to get your character lost while trying to look at something two feet in front of them, you got a great portable game. Until then, it’s all some what of a bummer.

As is the case with Paper Mario: The Origami King, Nintendo’s ability to make consistently beautiful games will almost always manage to keep their scores above average; but, their recent refusal to make a game that does not insist on dragging the player through extremely easy gameplay, holding the player’s hand the entire time, will continue to keep their score low. This is not even mentioning the abysmal battle system.

Deck 13 have vastly improved upon their formula, and hopefully, this is a sign of great things to come. But for now, The Surge falls short of being anything more than a serviceable title that sticks to what it knows.

Ooblets has the potential to be a fantastic and calming game to fill the void lack of Animal Crossing updates. But long load times and numerous bugs turn what should be an adorable and relaxing game into a frustrating experience.

The numerous important conversational choices felt meaningful and heartfelt. But the game’s slow pace, unfinished story threads, and its restricted ending took away from the narrative’s full potential, leaving too many unanswered questions for Life is Strange fans.

Though it touches on some interesting ideas, Hey! Pikmin never ventures outside of the comfort and safety of a standard Nintendo handheld platformer. Still, its relaxing, low-stakes gameplay may prove enjoyable for many, particularly those looking for a respite in an otherwise fast-paced genre.

There’s a fine, fine line between relaxing simplification and dullness, and OK Golf straddles it rather precariously. You’ll either find it a charming, laid back way to enjoy a golf puzzle or uninstall it after the first course or two.

If you are looking for a bit of light-hearted fun or are a big puzzle game fan, Sushi Striker: The Way of Sushido might be a worthwhile investment for you. If you are looking for a deeply engrossing game that will pull you in for hours, maybe give it a miss.

Another Code: Recollection collects the original Another Code with its sequel Another Code: R which never saw a North American release. While the original DS title was an absolute classic with clever puzzles that require unique usage of the DS's features, the simplified and dumbed-down Switch rerelease turns the puzzle game into a basic visual novel. While the first game's story is unique, the sequel is painfully slow to get through. Despite my love for the original, this is a very hard game to recommend, especially given its $60 price point.

While it does have some surprisingly great acting and emulates giant robot combat quite well, I would wait just a bit. Neither of those features is impressive enough to make up for Archangel VR’s boring gunfights and somewhat tedious characters.

Indivisible is a solid enough game to dive into, even if it is seriously flawed. The visuals are stellar, characters are likable as hell, and experimenting with a plethora of different characters in combat can certainly be entertaining. But the inner-core of the experience doesn’t shine quite as bright as its exterior shell, and in failing to do so makes more of a game that seems like it was a bit too ambitious for its own good.

Nantucket attempts to provide an immersive experience for players, complete with a flawless soundtrack, difficult and strategic mechanics and an interesting story based on your own decisions. However, it suffers due to the repetitive and somewhat tedious gameplay and numerous other factors that detract from the whole experience.

Amazing graphics and talented voice acting isn’t enough to save The Callisto Protocol from the beast that is bad game mechanics. The game is its own worst enemy.

If you go into The Medium with very high hopes, you will be disappointed, but if you walk in just looking for some eerie atmospheres, some award-winning voice acting and some nostalgic horror feels, then you will have some fun.

Flip Wars is yet another fun party title from Nintendo. Alas, just being fun doesn’t justify a purchase. Many of the concepts used in Flip Wars are interesting but lack the depth or volume for me to call them anything greater than a concept. It may be worth revisiting in a few months after some heavy updates.

Namco Museum on the Nintendo Switch offers a few arcade classics on the go but not really much else. The lack of online or even local multi-Switch play for all but one title, no real extras and the fact that the selection is kinda meager make this a pass for most people. It’s the absolute minimum to expect out of such a title.

Strange Brigade stays close to Rebellion's third-person formula but doesn't add enough to it to be a truly great game. The pulpy, humor delivered with a wink and nudge saves the game from being a slog.

While the gameplay had its fun moments and it didn’t make me rage quit even once, the saving system (or lack thereof) really put a wrench in the overall experience. Green Hell is the best survival game I’ve played, but let’s be honest, the bar isn’t all that high and it’s like the best house on a bad block.

Unlimited World Red shines when it puts forth an effort such as in the combat or original characters. Unfortunately, those bits are found too sporadically to make up for the game’s glaring flaws.

Assassin’s Creed Rogue Remastered has some noticeable graphical improvements, but not enough to overshadow the gameplay flaws of the original. At $30, the game is only really worth it for hardcore fans.

Opera Omnia is a polished, functional, Final Fantasy version of the style of RPG we see all over the App Store and Google Play nowadays. Don't expect any brilliance from its plot or any Dissidia-related fighting elements. If your love of Final Fantasy spans multiple games and you're happy with a passable RPG full of cameos, Opera Omnia will serve well enough.

Solid controls and fun exploration mechanics are somewhat marred by graphical slowdown and constant darkness — both in lighting and in depressing visuals and themes.