Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 77 Metascore
    • 70 Critic Score
    If the vocals on Electric Sweat were produced as flawlessly as the guitars, and perhaps a different song order were arranged for a better flow, this album could be a retro-rock classic alongside other "hindsight visionaries" like the Vue or the Strokes. [May 2002, p.94]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Has a curiously timeless sense of eclecticism. [May 2006, p.166]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Living With The Living takes steps back to New Jersey, with the sort of big rock 'n' roll, free of subcultural claim, that'd make the Boss proud. [Apr 2007, p.176]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Threads is compelling. [Apr 2012, p.98]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Chasing Ghosts won't win any awards for originality, but this is definitive victory for smart songwriting,, heart, and passion. [Oct 2012, p.84]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    The music is--and should be--the primary focus, and that's a quantum leap beyond what they were doing four years ago. Essential.
    • 77 Metascore
    • 70 Critic Score
    No new ground is broken, but it's enjoyable, cathartic mosh pit fodder. [Feb 2013, p.88]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Everything that has made Boysetsfire an essential hardcore band since they formed in the mid-’90s fits into the right spots on this new album.
    • 77 Metascore
    • 80 Critic Score
    Mike Hranica’s voice is as gut-wrenchingly brutal as ever, too (“Gloom”), and some songs find the band writing music outside their comfort zone.
    • 77 Metascore
    • 70 Critic Score
    They're sometimes lost attempting to balance clumsy choruses with fleet fingered flash. At other moments, however they absolutely nail it. [Nov 2013, p.84]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    .5 is a fitting tribute to a musician who can never be replaced. [Nov 2014, p.88]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    The result is a record that is frequently too busy. [Feb 2015, p.90]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    This album aims straight for your hips and doesn't miss. [Dec 2014, p.104]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    They've made an undeniably great record that hits the sweet spot between distinction and accessibility. [Mar 2015, p.93]
    • Alternative Press
    • 77 Metascore
    • 70 Critic Score
    As elements of dark pop fuse seamlessly with dance beats, Every Open Eye will convert even the staunchest non-believers. [Oct 2015, p.98]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    While Turner's penchant for experimentation is impressive, his ability to juxtapose all of these genres without losing his sense of identity is ultimately what makes England Keep My Bones such a grand success. [Jul 2011, p.108]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    On Bromst, Deacon's confidence shines through as he effortlessly combines extremes. [Apr 2009, p.142]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    Ultra Beatdown is a relentless explosion of power metal serving as a superb master class for fledgling shredders on any instrument. [Sep 2008, p.152] [Sep 208, p.152]
    • Alternative Press
    • 77 Metascore
    • 70 Critic Score
    The one thing the album really lacks, though, is an obvious single. While many songs are memorable, there is nothing that suggests any of the tracks have the classic quality of "Juneau," "History," "Streetcar" or "Into Oblivion (Reunion)."
    • 77 Metascore
    • 90 Critic Score
    The Go! Team's folluow-up is densely packed enough to make Phil Spector's Wall feel like a screen door. [Oct 2007, p.160]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    Their most challenging album to date. [June 2003, p.98]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    This is a seminar in how to age gracefully and still rock like demons. [Mar 2004, p.106]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    Creatures has a medieval majesty.... Yet such pastoral conjuring doesn't mean the band can't rock. [Aug 2002, p.82]
    • Alternative Press
    • 77 Metascore
    • 90 Critic Score
    Unlike most of his contemporaries, singer-songwriter Gough is willing to explore all sorts of styles while allowing himself to be as playful or serious as he wants. [Dec 2002, p.74]
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    A miasma of retro cool. [Sep 2003, p.116]
    • Alternative Press
    • 77 Metascore
    • 100 Critic Score
    As good as anything out there. [Nov 2005, p.220]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    The result captures him turning into an old-fashioned troubadour, one fueled by big issues and a country/hip-hop hybrid that's never sounded catchier. [June 2008, p.131
    • Alternative Press
    • 77 Metascore
    • 80 Critic Score
    The breathable production and quality arrangements allow the band's instantaneously familiar melodies to glow. [May 2010, p.102]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    A bit too jammy at times, but this is another solid effort for both artists. [Oct 2005, p.158]
    • Alternative Press
    • 77 Metascore
    • 60 Critic Score
    It's smooth going down but lacks any real notable songs. [Apr 2008, p.153]
    • Alternative Press