Alternative Press' Scores

  • Music
For 3,071 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 0.4 points higher than other critics. (0-100 point scale)
Average Music review score: 73
Highest review score: 100 LANY
Lowest review score: 0 Results May Vary
Score distribution:
3071 music reviews
    • 78 Metascore
    • 70 Critic Score
    The relatively hushed tone of Several Shades Of Why is unnerving at first spin, strictly when considering the auditory atom bomb of Mascis' well-documented projects; but the second go 'round clears the clouds, revealing a vast lo-fi victory. [Apr 2011, p.115]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    What Apollo Sunshine may lack in cohesion, it more than makes up for in spirit. [Nov 2005, p.218]
    • Alternative Press
    • 78 Metascore
    • 60 Critic Score
    The combination of thundering drums with whimsical vocals and melodies can be charming, insanely catchy and headache-inducing, sometimes all at once. [Feb 2007, p.114]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    Die! Die! Die! craft a rickety balance between cacophony and attractive post-punk melody. [Mar 2008, p.136]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Standards succeeds by making the most of the intellectual side of Tortoise--their stylistic cross-pollinations, their meta-musical analyses--without ever losing sight of the music's ability to do more than engage the mind. [March 2001, p.94]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    If Lush hadn't died, it might have wound up in the same solemn, yet provocative, place. [May 2004, p.104]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Musically, he's a little more conventional than one would hope. [12/2000, p.90]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    His arrangements are floral and handcrafted and warm. [May 2004, p.102]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    This is a record that cuts deep, but rushes right over to tend to your wounds. [Oct 2012, p.88]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    The Heart Is A Monster is not only a stark reminder of why the band have been so influential, but it also underscores their status as modern trailblazers. [Jul 2015, p.97]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    An LP of remarkable dynamic shifts, stop-on-a-dime time changes, tribal menace and sinister lyrics. [Jun 2016, p.102]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Like their kindred spirits and labelmates in Turing Machine, Maserati have their headspace programmed to "liftoff" in an effort to take you higher than you've ever been. [Nov 2012, p.90]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    This is a knuckle-walking, face-punching, tooth-spitting hardcore/metal album that’ll have you looking around for things and people that could use a good kicking.
    • 78 Metascore
    • 60 Critic Score
    The trouble is, not much sets this new album apart from their career benchmarks, like 2002's Nothing or 1998's Chaosphere.
    • 78 Metascore
    • 80 Critic Score
    What glosses over those small, weird choices is the collective strength and sense of purpose found here.
    • 78 Metascore
    • 80 Critic Score
    What keeps this from being a cavernous frightfest is what the members of Ulver bring to the table. [Mar 2014, p.94]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Mastodon prove they keep moving ahead with this rewarding album. [May 2017, p.80]
    • Alternative Press
    • 78 Metascore
    • 40 Critic Score
    Everything All The Time is almost pitifully lacking in soul, and it suffers from a few real snoozers, to boot. [May 2006, p.162]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    If You ever needed proof that great tension can be generated without screaming or dialing an amplifier volume knob all the way up, start here. [Dec 2012, p.90]
    • Alternative Press
    • 78 Metascore
    • 90 Critic Score
    Really, punk doesn't get much better than this. [Nov 2016, p.90]
    • Alternative Press
    • 78 Metascore
    • 40 Critic Score
    For the wide-awake, it's a crashing bore. [Aug 2005, p.164]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    There's not a ton of new ground broken, but The Fire is proof that Senses Fail consistently toe the line between singing and screaming better than most of their peers. [Nov 2010, p.116]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    You & Me is a consolidation of strengths, intensity and pathos with enough '60s echo-chamber reverb to singe synapses. [Oct 2008, p.153]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    On their fierce third album, METZ have ratcheted their cacophony up high enough and still have it be considered rock music. [Oct 2017, p.81]
    • 78 Metascore
    • 80 Critic Score
    A sweetass blaxploitation-film score in waiting. [Dec 2001, p.87]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    A substantial improvement over the gentle snoozefest that was 2000's Early Days. [Apr 2002, p.76]
    • Alternative Press
    • 78 Metascore
    • 70 Critic Score
    A well-crafted ode to cock rock, minus the cliches. [May 2002, p.98]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    Deftly balancing country, classical and cabaret, the National are darkly dramatic and deliciously doomed. [Oct 2003, p.124]
    • Alternative Press
    • 78 Metascore
    • 80 Critic Score
    This is still some of the most original, passionate and listenable music of the year, but the mood has changed. [Jan 2002, p.95]
    • Alternative Press