Actor David Oyelowo makes a heartfelt directing debut in a PG adventure about a boy (Lonnie Chavez) in search of a mythic creature who might save his dying mother. Even when the pace drags, the film remains a rare gift for family audiences.

A dementia subplot torpedoes the laughs, leaving Tiffany Haddish and writer-director-star Billy Crystal adrift in a comedy fizzle that forgets to be funny.

No knock on serving up an action-jacked Michael B. Jordan in an R-rated, red-meat, military thriller. But this clumsy update of Clancy’s 1993 bestseller should have been way better than a generic, one-note, cash grab.

You know a ghost story is a hot mess when it strands a stellar Amanda Seyfried and a top cast in a remote, country house haunted by toxic masculinity, dangling plot threads and nothing worth hearing or seeing.

You’ll laugh and cry your eyes out as an emotionally bruised diver learns about life and loyalty from an eight-tentacled mollusk. This Oscar favorite and viral sensation is the year’s most unorthodox and unforgettable love story.

It’s a form of actor abuse to see the legendary Morgan Freeman trapped in this relentlessly violent and vapid mess that does offer one lesson to students of cinema in how to do everything calamitously wrong.

Sebastian Stan, the Winter Soldier himself, shows he can turn up the heat with costar Denise Gough for a romcom romp in Greece that starts on a sexy, swooshing high before draining out the fun for dramatic insights that never come. Bummer.

Despite an intriguing premise that suggests a ‘Lord of the Flies’ in space, Neil Burger’s fun-free thriller about young hotties playing astronauts quickly devolves into is a dud that never makes sense of its borrowed convictions or any sense at all.

This comedy misfire starring McCarthy and Spencer as unlikely superheroes is hardly a crime against cinema. It just a bumpy road to blah in which the actors look to be having a way better time than you will. That’s messed up.

An inner-city western featuring Black cowboys in a real-life setting deserves celebrating and the dynamite teamwork of Idris Elba and young Caleb McLaughlin heads off the father-son cliches in the script to keep you riveted.

Forgive the exposition dump in the convoluted plot and go for a clash of the titans that is spectacular in every sense of the word.

Bob Odenkirk aces his first role as an action star in this wild, twisty ride. He’s such a canny, captivating actor that even when the plot gets silly you're willing to follow him anywhere.

A peak-form Mads Mikkelsen stars in this hilarious and heartbreaking spellbinder as a Copenhagen high-school teacher who thinks day drinking might sharpen his faculties. The Oscar for Best International Feature belongs right here.

A hot mess that throws a wet blanket of dystopian drivel over fresh young stars Daisy Ridley and Tom Holland. Chaos Limping is more like it.

Tom Holland, of Spider-man fame, breathes dramatic fire as a PTSD-afflicted Army medic in Iraq who returns home as a bank robber to feed his opiod and heroin habit, but his glossy, overlong film is failed Oscar bait that drowns him in addiction cliches.

The sisters are doing it for themselves and one of them is a dragon in a wild, animated wonder ride from Disney that radiates female empowerment and comes at you in a whoosh of creative ideas in full eruption.

It’s good to see Eddie Murphy again as Zumundan royalty, but the laughs in this tame, PG-13 sequel to the raucous, R-rated 1988 original feel predictable and played out as they strain to slide by on nostalgia. Your call.

Anthony Hopkins delivers a master class in acting as a once-brilliant man losing his mental faculties to the plague of dementia. First-time director Florian Zeller turns his modern “King Lear” of a play into essential cinema.

Singer Andra Day’s breakout star performance as jazz legend Billie Holiday raises this chaotic film above its faults by showing how Holiday used her voice as a starting gun for the civil-rights movement despite a relentless FBI campaign to destroy her.

With Oscar buzz surging for Riz Ahmed, the time is now to check out his virtuoso performance as a rock drummer facing deafness in a riveting, resonant film whose thrashing power and emotional gravity exert a grip that won’t let go.

A shockingly funny sendup of our money-trumps-morals culture starring a dynamite Rosamund Pike who outdoes her ‘Gone Girl’ evil by partnering in crime with the great Peter Dinklage for the most delicious, decadent treat of the new movie year.

Everybody’s talking about this unassuming, but also unmissable and unforgettable slice of Korean-American life and for good reason: Lee Isaac Chung’s heartfelt tale of his own childhood is the best movie you’ll find anywhere about what it means to be a family.

Shaka King’s powerhouse about the 1969 murder of Black Panther leader Fred Hampton (an Oscar-worthy Daniel Kaluuya) by the Chicago police with the help of an FBI informer (Lakeith Stanfield) is a new movie classic that speaks to the toxic racism of its time and ours.

Viggo Mortensen scores a standout directing debut, showing the artful sensitivity and offbeat humor that define him as an actor with this heart-piercing drama in which he stars as a gay son coping with the dementia of his racist father (a career-best Lance Henriksen).

It would have been nice if filmmaker Sam Levinson had provided a real script instead of a thin outline, but John David Washington and an incandescent Zendaya are thrilling to watch as lovers at war in a millennial ‘Who’s Afraid of Virginia Woolf.’

In a shameless weeper that plays it strictly by the cliché book, compensation comes from the rugged sincerity of Justin Timberlake as an ex-con who becomes a surrogate dad to a gender-nonconformist seven-year-old boy, wonderfully acted by Ryder Allen.

Despite widening gaps of logic in its slow-burn mystery plot, this twisty, killer-on-the-loose, dark-night-of-the-soul thriller features top turns from Denzel Washington and Rami Malek as L.A. cops chasing a psycho, played by a scary and diabolically funny Jared Leto.

Priyanka Chopra-Jonas lends her beauty and star power to Ramin Bahrani’s unwieldy but enthralling screen adaptation of Aravind Adiga's bestselling novel about the haves and have-nots in modern India.