Every Jennifer Lawrence Movie, Ranked
Updated June 22, 2023
Jennifer Lawrence got her Hollywood start on television, but she became one of the biggest movie stars in the world when she broke out in Winter's Bone 2010, earning her first-ever Oscar nomination, and immediately followed that up with a string of blockbusters, critical darlings, and awards favorites, from X-Men: First Class to The Hunger Games and Silver Linings Playbook. (The latter earned Lawrence her first Oscar win.)
Although the X-Men and Hunger Games franchises kept her very busy for the better part of a decade, she still found the time to slip into complicated roles in Mother!, American Hustle, Joy, and Don't Look Up, to name a few, picking up two more Oscar noms (for American Hustle and Joy), in addition to other accolades, including a BAFTA Award.
Admittedly, along the way, not every movie has been a hit with critics or audiences, as you can see from their Metascore and user score, but regardless, Lawrence has proved she is force with which to be reckoned as she has dominated the screen whether she was saving the entire civilization of Panem, or sharing scenes with such long-time Hollywood heavyweights as Robert De Niro and Leonardo DiCaprio.
As The Hunger Games hits its 20th anniversary, up next for Lawrence is the veteran drama Red, White and Water and Bad Blood, in which she portrays real-life convicted fraudster Elizabeth Holmes. To celebrate how far Lawrence has come in her career, here, Metacritic ranks all of her movies (so far) — from worst to best — according to Metascore.
Additional content by Danielle Turchiano and Jason Dietz. Photo courtesy Netflix.
Lawrence’s third film with director David O. Russell was also the lowest rated of the trio. This 2015 dramedy tells the story of Joy Mangano, the self-made millionaire who invented the Miracle Mop. Although Joy received poor reviews, Lawrence’s performance was once again lauded by critics and earned her an Academy Award nomination for best actress.
“While [Lawrence] does robust, heartfelt work in the lead in his new film Joy, this is the most miscast she's been in a while, and it's such a strangely imagined film in the first place that it never really gets its bearings.” —Drew McWeeny, HitFix