Yvette Mimieux

Biography: Born to a French father and Mexican mother, actress Yvette Mimieux grew up within shouting distance of Hollywood Boulevard. The blonde, well-proportioned Mimieux was a beauty contest winner and model when signed to an MGM contract in 1959. With her second film appearance as ethereal 800th century girl Weena in The Time Machine (1960), Mimieux achieved stardom; with her next film, Where the Boys Are (1960), she proved capable of heavy dramatics via a discreetly handled "gang rape" sequence. An appearance as a terminally ill girl on the 1964 Dr. Kildare episode "Tyger Tyger" drew a great deal of press attention for Mimieux, principally because she spent most of her early scenes in a bikini. The actress's subsequent roles showed promise, but she generally found herself playing second fiddle to the leading man; in Disney's Monkeys Go Home (1966), she was upstaged by a chimpanzee. Tired of adhering to the whims of others, Mimieux took to writing her own screenplays: in the 1974 TVBorn to a French father and Mexican mother, actress Yvette Mimieux grew up within shouting distance of Hollywood Boulevard. The blonde, well-proportioned Mimieux was a beauty contest winner and model when signed to an MGM contract in 1959. With her second film appearance as ethereal 800th century girl Weena in The Time Machine (1960), Mimieux achieved stardom; with her next film, Where the Boys Are (1960), she proved capable of heavy dramatics via a discreetly handled "gang rape" sequence. An appearance as a terminally ill girl on the 1964 Dr. Kildare episode "Tyger Tyger" drew a great deal of press attention for Mimieux, principally because she spent most of her early scenes in a bikini. The actress's subsequent roles showed promise, but she generally found herself playing second fiddle to the leading man; in Disney's Monkeys Go Home (1966), she was upstaged by a chimpanzee. Tired of adhering to the whims of others, Mimieux took to writing her own screenplays: in the 1974 TV movie Hit Lady, she is undeniably impressive as a scantily clad professional assassin. Since her 1972 marriage to director Stanley Donen Mimieux has curtailed her film appearances to devote her time to her husband, her poetry, her dance and music lessons, and her many lucrative business endeavors.… Expand