You'll Have to Lose Something

When it works well on the record it’s sublime, these snapshots sculpting little scenes, feeding just enough to intrigue but remain elusive. .... However, when it doesn’t connect, as on THE CUT DEPICTS THE CUT, these mutations feel needy, like they're born out of a fear the listener will get bored if there aren’t fireworks every 15 seconds, rather than it being necessarily what is best for the song.