Metascore
77

Generally favorable reviews - based on 5 Critic Reviews

Critic score distribution:
  1. Positive: 4 out of 5
  2. Negative: 0 out of 5
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  1. Uncut
    Oct 8, 2024
    80
    It’s material that’s fascinating just as much for what it tells us about pop culture as it does Lou Reed, from a time where pop and rock hadn’t become overly codified and nobody exactly knew what music teenagers would fall for. [Nov 2024, p.55]
  2. Oct 8, 2024
    80
    25 tracks of faux-Brill Building candy, corn and echo-laden chaos with linernotes by Richie Unterberger worthy of a PhD thesis. It is also an essential, at times wickedly delightful‚ corrective to the habitual dismissals of this era, Reed’s included. [Nov 2024, p.96]
  3. Classic Rock Magazine
    Oct 11, 2024
    70
    A must for serious Velvet-heads. .... Something of a mixed bag. [Nov 2024, p.87]
  4. Oct 8, 2024
    70
    This collection is at its most intriguing in the brief moments where listeners can hear Reed experimenting with these ideas, ones he'd fully realize a little further down the road with the Velvet Underground. These moments show up fairly unambiguously in the sadistic sneering of the Primitives, but they're also there to be found just a little bit deeper below the surface of songs where Reed was trying his best to emulate simplistic pop music but couldn't keep his inherent darkness from showing.
  5. Record Collector
    Oct 8, 2024
    60
    The 25 tracks offered on Why Don't You Smile Now: Lou Reed at Pickwick Records 1964-1965 vary from lost gems, through proficient approximations of hit-makers like Phil Spector, to throwaway misfires. [Nov 2024, p.95]

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