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Who's the Clown? Image
Metascore
82

Universal acclaim - based on 4 Critic Reviews What's this?

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  • Summary: The debut full-length release from Los Angeles-based pop singer-songwriter Audrey Hobert was executive produced by Ricky Gourmet.
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Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Aug 27, 2025
    90
    Aside from “Sue Me”, most of the songs on Who’s the Clown? do not sound like radio singles, a format traditionally associated with “pop”. Instead, Hobert uses this structure as a platform for verbose storytelling, much like she employs celebrity as a means to discuss the pitfalls of fame. Unlike other pop stars, Hobert does not seek to be aspirational.
  2. Aug 27, 2025
    80
    With Who’s the Clown?, Hobert has asserted her place as one of pop’s great new voices.
  3. Aug 27, 2025
    80
    The production in songs like ‘Drive’, with its charming bass line, and ‘Silver Jubilee’, with its flirtation with 2016-electropop, are nice surprises, but overall the record can get a little repetitive with its themes and melodies. .... But her comedic and very specific style does shine through either way, and performing these songs for a crowd will probably add to the depth of future projects.
  4. Aug 27, 2025
    69
    The songs on Who's the Clown fittingly sound like an extension of Abrams’ world: verbose, conversational, unfiltered. .... But the album falters in its second half, where Hobert uses specificity as a crutch, struggling to transcend the biographical details of her own, quite exceptional, life.