User Score
7.9

Generally favorable reviews- based on 20 Ratings

User score distribution:
  1. Positive: 15 out of 20
  2. Negative: 1 out of 20
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Metascore
69

Generally favorable reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 11
  2. Negative: 0 out of 11
  1. Mar 20, 2018
    50
    There are glimmers of melodic gems--but that’s all they prove to be, sagging beneath the weight of these overstuffed songs.
  2. Mar 13, 2018
    72
    It’s easy to miss the album’s sonic and conceptual ingenuity amid the lyrical bloat. The thing is, even Barnes’ worst clunkers serve a purpose.
  3. Mar 13, 2018
    75
    He is constantly blowing up what’s good about his work, adding extraneous parts, going on wild tangents, obfuscating emotional truth with impenetrable verbosity, veering from good taste to bad in the blink of an eye, or reinventing his band’s sound wholesale. While this impulse doesn’t always translate to an enjoyable experience for the listener, and can be especially trying for longtime fans, who can become overly attached to what they would consider to be Of Montreal’s definitive sound, there’s no denying that Barnes takes your ears to places they’ve likely never been before. There won’t be another album that comes out this year that sounds like White is Relic/Irrealis Mood.