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Outside of the Bacharach album, it's his best in a long time. But in order to know that, you will have to have dilligently listened to everything from Spike on -- and if you got off the bus around then, it's harder than ever to get back on.
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Alternative PressCostello clutters many fine compositions with kitchen-sink arrangements and cacophonous production that bring into focus how sorely missed estranged Attractions bassist Bruce Thomas is throughout. [Jun 2002, p.75]
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Elvis makes you suffer for the good stuff with leaden conceits, overwrought hysterics, a useless reprise. And then he makes it all up to yoo-oo-oou.
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If the performances here reclaimed the sputtering, spastic fury of Elvis and the Attractions in their prime, it might not matter that Costello came to play without indelible melodies and jaw-dropping lyrics, but they really don't and he largely did.
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UncutWith a bit of self-pruning, a bit MORE risk and space in the production, he might have TRULY self-reinvented. [May 2002, p.90]
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There isn't anything quite as special as, say, Veronica but the veins at Costello's temples are throbbing again.
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It's no classic, but there are reassuringly unhealthy signs of life.
Awards & Rankings
User score distribution:
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Positive: 16 out of 18
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Mixed: 0 out of 18
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Negative: 2 out of 18
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Feb 12, 2020
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JabezT.Sep 22, 2007
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RitaMar 21, 2005a masterpiece, no doubt one of the best albums ever, just brilliant, 100 out of 10