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Mar 31, 2014The unrelenting force of these songs almost becomes too much, but Waterfall is over before you know it and somehow leaves you begging for more.
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Mar 17, 2014Waterfall sees the shadowy 24-year-old advance the weird, industrial sonics that caught everyone’s attention in the first place into even bolder territory.
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Mar 13, 2014Waterfall is massive and unyielding, and marks Evian Christ now as a producer who’s mastered both tactile and intricate beats.
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Mar 21, 2014Impressive as it can be in small doses, Waterfall as a whole plows ahead like a WWI-era tank, heavy and lumbering and powerful but pretty much limited to a single direction.
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UncutMar 13, 2014It's like walking through smoke and mirrors towards an utterly empty dancefloor, a kind of nightmare inversion of TNGHT's rave exuberance. [Apr 2014, p.73]
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Apr 28, 2014Waterfall is promising, but it’s perhaps the first Evian Christ release that hasn’t amazed me.
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Apr 1, 2014More of a step sideways, then, but one which keeps us very much interested in what comes next.
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Mar 13, 2014This won't be Evian Christ's greatest moment, but it could be a crucial stepping stone.
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Mar 13, 2014As a fully formed whole it's lacking; as nucleus around which a future proliferates and ideas expand, it's seriously exciting.
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Apr 4, 2014Once you’ve heard one track from Waterfall (ideally “Salt Carousel”), you’ve pretty much heard them all, and while such a lack of variety might not be a nuisance to a live audience, it’s a problem when a four-song, fifteen-minute EP already feels a little stale halfway through.