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The Divine Comedy's most spontaneous record in ages.
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'Victory for the Comic Muse' is the Divine Comedy's finest album since their post-Britpop Chris Evans-approved heyday.
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[A] triumphant comeback.
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Under The RadarWith Hannon’s usual fair of orchestral chamber pop filling Muses’s eleven tracks, the real difference lies in his lyrical progression. [#15]
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Spin[Hannon] deserves to be recognized as the unsung genius of symphonic pop. [Nov 2006, p.97]
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The Divine Comedy's constants are a Wildean wit with an apposite sense of style, and they persist on extravagant ninth album Victory for the Comic Muse.
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Hannon has largely toned down his extravagant look-at-me persona, and decided instead to rely on the quality of his song-writing.
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Q MagazineDevoid of Hannon's penchant for the smugly esoteric, this is by far his most approachable album. [Aug 2006, p.111]
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Yes, Victory for the Comic Muse has its funny moments, its sad asides, and some of the now standard Nyman minimalist moments, but in the Divine Comedy's overall discography it's a rather slight and often flat affair with unfortunate suggestions that Hannon might have milked the comic cow dry.
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MagnetPredictable pleasures abound. [#74, p.95]
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Victory For The Comic Muse seems destined to be one of those odd works beloved by cultish fans of Hannon’s work, but an unfocused misfire from the casual listener’s standpoint.
User score distribution:
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Positive: 24 out of 26
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Mixed: 1 out of 26
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Negative: 1 out of 26
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Aug 22, 2010
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chriswJul 31, 2007
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kamilDec 3, 2006