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More often than not, though, Nas offers windy whines instead of innovative ideas.
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Untitled is far from terrible, but it's still a deflating, disappointing, infuriating listen.
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For every moment of clarity on this album, there’s an eyebrow-archer to match.
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Taking a tip from William Cooper’s conspiracy theory tracts, Nas deftly delivers attention-grabbing rhymes with a sickly slick flow yet offers little backup for his inflammatory insinuations in the way of persuasive substance.
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Like a professor spewing a semi-clever lecture on civil rights and contemporary left politics where he’s pretty good at rhyming his facts but acts like rhyming is all the sinew that his presentation needs to connect the bones of his argument.
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As ever, this most eloquent of rappers is stronger on zingers than philosophical coherence. But his dismal taste in beats strands his poetry in a sea of mediocrity.
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Unfortunately, no amount of slick beats and swagger can camouflage Untitled’s defects.
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The WireUnfortunately, for all the insight, this willingness to play victim often overshadows the incisiveness of the MC's observations when it come to the beats he has chosen to rail over. [Sep 2008, p.66]
Awards & Rankings
User score distribution:
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Positive: 128 out of 154
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Mixed: 13 out of 154
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Negative: 13 out of 154
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SeanLSep 4, 2008
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EmH.Jul 20, 2008
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Will******Jul 16, 2008