- Critic score
- Publication
- By date
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As studio swan songs go, this sounds pretty darn good.
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Rolling StoneGiddily adventurous. [8-22 Jul 2004, p.128]
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A workmanlike effort that wont do anything to harm the Phish legacy, but isnt notable enough to make me wish that the band wasnt packing it in.
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And while the album is still more focused and a much-needed improvement over 2002's Round Room and their finest since Billy Breathes, Undermind is essentially the sound of four musicians growing tired of the limits they've imposed on one another after decades of albums and touring.
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Entertainment WeeklyFor most of the album, Phish sound tighter and more alive than they normally do off stage.... [but] the band can't avoid the cloying tendencies that have always hampered their studio work. [18 Jun 2004, p.84]
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It's the fragmented experiments that keep Undermind from being a straightforward batch of songs, and they ultimately provide a much-needed balance.
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BlenderThe ballads are clunky and ponderous. The groove stuff, though... exists in that blissy stratosphere the Dead visited so often. [Aug 2004, p.138]
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Hardly anything here makes an impression after repeated listens. What's worse, even fewer tracks possess the spark or invention for which Phish is revered.
User score distribution:
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Positive: 7 out of 13
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Mixed: 2 out of 13
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Negative: 4 out of 13
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JustinSAug 23, 2005
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MarcoEMay 5, 2005
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MattMApr 8, 2005Phish finally masters the studio