T.O.S. (Terminate On Sight)
by G-Unit
  • Record Label: G-Unit
  • Release Date: Jul 1, 2008
User Score
6.9

Generally favorable reviews- based on 36 Ratings

User score distribution:
  1. Positive: 25 out of 36
  2. Mixed: 2 out of 36
  3. Negative: 9 out of 36

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  1. MichaelS.
    Jul 10, 2008
    10
    I love it! High quality album!!
  2. dj
    Jul 7, 2008
    10
    This album is a classic, if you don´t got it,go get it!!!
  3. AllenD.
    Jul 8, 2008
    10
    This album rocked.
  4. G-UnitCurtis
    Jul 10, 2008
    10
    Very Good!
  5. Phil
    Jul 5, 2008
    10
    Considering most of the stuff 50 and his crew have released solo wise,It seems like they have finally seen sense and listened to the fans,This album deffo proves that.
  6. MohammedA.
    Jul 6, 2008
    7
    THis album was pretty good with about 6 good songs. My personal favorites were you so tough, and no days. The beats were very good but 50 cent and tony yayo tend to ruin the songs. Young Buck was o.k. The album was saved by Llyod banks with good chorus and lyircs.
  7. KoreyM.
    Jul 8, 2008
    7
    album is decent, banks verses blow everything out of the water, fifty gives something to listen to, buck still does his thing, and even yayo gives a few good lines plus almost evey beat is either good or great
  8. chl
    Jul 15, 2008
    10
    You guys cant tell me cds like soulja boy and hurrican chris are better than this its a good cd, granted it could of been better but there were not 2 man rap cds better that dropped this year. Prodigy, Bun B, Big Noyd thats about all i can think of.

Critic Reviews

All reviews »
Metascore
45

Mixed or average reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 2 out of 10
  2. Mixed: 5 out of 10
  3. Negative: 3 out of 10
  1. AllMusic
    70
    Even with its wobbly mix of yesterday, today, a better tomorrow, T.O.S. is much closer to classic than failure and should reassure fans this slow-moving tank is pointed in the exactly right direction.
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  2. Blender
    60
    On this clamorous, relentless album, a violent death lurks in every bar (“Rider Pt. 2”), licentious catcalls have replaced slinky come-ons (“I Like the Way She Do It”) and guns seem to fire of their own accord (every other song here). In doses, it’s rousing. Over the course of a whole album, it’s exhausting.
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  3. Boston Globe
    40
    After sifting through the storyline, it's just hard to figure out why these guys are important anymore.
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