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UncutAug 12, 2016Tonight's Music finds Davies returning to The Moles' first principals of beguiling deadpan psychedelia, as if Syd Barrett had lit out to New Zealand in the 1980s and joined The Chills. [Sep 2016, p.76]
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Aug 12, 2016Curious, ramshackle, and unapologetically rough around the edges, the two-disc, 24-track set is more sprawling than it is ambitious, but like everything else that the enigmatic Richard Davies (Moles, Cardinal, Cosmos) lays his hands on, the results are, more often than not, mesmerizing.
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Aug 12, 2016It’s a joy to hear an album that embraces dissonance and does not sound desperate for radio play.
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MagnetSep 20, 2016At the core are lyrics abstract enough to keep you coming back and digging for meaning until the next moles record, however many decades off that might be. [No. 135, p.56]
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Sep 16, 2016Tonight’s Music celebrates the space between the excessive and the unfinished, refusing us resolution, promising us a little everything.