- Critic score
- Publication
- By date
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FilterYou want this album. [#21, p.98]
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Most of To The Races is arresting and alive, filled with little moments--a snaky violin, a warm harmonica, a lilting melody--that serve as reminders of how important the concept of "performance" can be.
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With folky guitar picking, lush harmonies and sophisticated melodies, this album is a must-have for all of Bachmann's fans.
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As with Icky Mettle and then with Crooked Fingers, Bachmann once again has provided a taut and startling proper debut; his writing feels completely reenergized.
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Finally Bachmann's songs sound familiar and not derivative.
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Alternative PressThe sound is closer to the Boss' Nebraska--as Will Oldham would have done it--haunting, reflective and drowning in sorrow. [Oct 2006, p.200]
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Fans of Bachmann's gruff Neil Diamond-meets-Steve Earle vocals and lonesome and literate subject matter will find everything they love about the Carolina native on display, while those who prefer his vocal affectations surrounded by the din of a full band should stick with his group efforts.
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In spite of its flaws, To the Races charms with its somber atmosphere.
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Paste MagazineGone is the orchestral saturation that sometimes bogged down Crooked Fingers, replaced by gnomic acoustic folk that's stark to the point of nudity. [Oct 2006, p.84]
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The main problem is that, after about seven tracks of this stuff, it grows a bit repetitive.
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SpinIt's easy to miss the bright counterweight that has kept his old-soul melancholy afloat in the past. [Sep 2006, p.100]
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To the Races isn’t that bad. Bachmann’s just so much better.
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Under The RadarThe album simply lacks the spark of his best work. [#15]
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UncutBachmann's gruff uniformity is, in the end, difficult to love. [Dec 2006, p.101]
User score distribution:
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Positive: 5 out of 6
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Mixed: 1 out of 6
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Negative: 0 out of 6
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JeremyFSep 14, 2007
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DanielLOct 4, 2006
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StevenGSep 6, 2006This really is a powerful album.