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- Critic score
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Apr 24, 2025For all the low lumbering and slithering and menace, the album has power-energy all the way through.
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The WireJun 4, 2025Founding Melvins members Buzz Osborne and Mike Dillard join forces with electronic musicians Void Maines and Ni Maîtres (aka Gareth Turner) for a lively and experimental session. Both guests are let loose on “Vomit Of Clarity” where, by way of introduction, they squeeze out an involved synthesized sound collage – an effectively intriguing interval to herald in the main event. [Jul 2025, p.61]
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Record CollectorMay 16, 2025The abstract industrial textures complement tastefully and spookily rather than overwhelm in confrontational fashion. [Jun 2025, p.103]
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Apr 18, 2025While only the heads-down opener King Of Rome is presented in a radio-friendly three-minute format, there is much here that could lure newcomers into the twisted soundworld of the Melvins – as long as they don’t expect the next record to sound much like this one.
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Classic Rock MagazineApr 25, 2025Buzz is in full-on demented rock-god mode (Victory Of The Pyramids), a full-throttle sludge trash that out-Hawkwinds even the mighty Hawkwind themselves. [Jun 2025, p.71]
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UncutApr 18, 2025The results is both familiar and strange. [May 2025, p.33]
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Apr 18, 2025After over four decades, the Melvins still sound utterly uncompromised and full of swampy vigor, and Thunderball confirms they haven't finished challenging themselves or their audience, not by a long shot.
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Apr 18, 2025Thunderball would greatly benefit from another 10 or 20 minutes worth of mid-to-low tempo grooves to grant their now-besotted audience a chance to sway like sluggish Evangelicals in a primal stupor.