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The WireIt's hard to shake off the suspicion that The Fifth Release contains more than a few offcuts and outtakes that never quite made the final cut of its more assured and inventive predecessor. [#202, p.55]
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Fifth follows the same Bacharach/Gainbourg/Motown thread as its superior predecessor, 1999's Playboy and Playgirl. But nothing new happens here, not even within the duo's derivative sphere. The beats are still bouncy as hell, and the string-laden melodies are still layered ear candy. However, this fullness is less Wall of Sound and more Vegas showroom.... What makes Fifth most unremarkable is the fact that it's nearly bereft of the great, catchy songwriting we've seen from Pizzicato Five in the past.