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When the messy, antic songs go pop (the Of Montreal-esque "Paperback Suicide"), they really pop; when they head into comedown territory ("Party Crashin'"), aimlessness ensues. Thankfully, Evening mostly partakes of the good stuff.
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MojoThe sudden shifts between smooth/jarring and soft/hard make for an uncomfortable but compelling ride. [Mar 2008, p.113]
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Evangelicals certainly have the potential to push through and make amazing music--it’s just too much hit and miss here.
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Under The RadarJones' ruinous voice brings the otherwise ascendant The Evening Descends toward a dark and inhospitable night. [Winter 2008, p.81]
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Intricate layers and rolling, subtle lifts give way to chaos, but taken in one dose, The Evening Descends is a few hits short of lovely.
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A sprawler is always a dangerous gambit for a band. It can easily trip over the line from cracked genius into failed experiment, as The Evening Descends does.
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The Evening Descends isn’t actually a concept album (at least, I can’t find any hard evidence saying it is), but the mixture of overblown seriousness and misfiring silliness, cut with a bludgeoning lack of subtlety and some well-worn-out running themes, mean it sure as hell sounds like it would’ve been if it’d been given half a chance.
User score distribution:
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Positive: 11 out of 12
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Mixed: 0 out of 12
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Negative: 1 out of 12
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May 17, 2020
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SMar 15, 2008
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JCC.Mar 14, 2008