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- Summary: The seventh full-length studio release for the masked metal band Slipknot is its first with Michael Pfaff as percussionist.
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- Record Label: Roadrunner
- Genre(s): Pop/Rock, Heavy Metal
- More Details and Credits »
Score distribution:
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Positive: 9 out of 10
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Mixed: 1 out of 10
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Negative: 0 out of 10
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Sep 30, 2022As a new release, it’s got more than enough exploratory factors to keep the band from sounding stale, but it also stays true to the sounds that have turned us all into maggots in the first place.
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Sep 29, 2022‘The End, So Far’ may rattle many of the metal faithful, but for the prowess and lasting impression of this record alone, this is a true Slipknot record. It’s unlikely that many fans who’ve been along for the whole ride would jump ship now.
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Sep 29, 2022It’s perhaps not as instantaneous as the debut, as vile as Iowa or as catchy as Vol. 3, but it offers depth, discomfort and danger to those willing to dive into the recesses of The Nine’s collective consciousness.
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Sep 30, 2022On The End, So Far, the nihilistic furnace still glows hot, but amongst the fuming metal riffs, Slipknot also fume in a more creative way.
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Oct 3, 2022With The End, So Far, Slipknot haven’t reinvented themselves, but returned to their roots with an older, wiser and more concise outlook, resulting in a record that chews its listeners up almost instantly, and spits them out an hour later feeling beaten, battered and ultimately, cleansed.
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Oct 6, 2022The End, So Far may not be a home run, but it proves that the band are still in it to win it, even if they're playing the long game.
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Oct 3, 2022The End, So Far is lack-lustre at almost every turn.
Score distribution:
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Positive: 14 out of 23
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Mixed: 4 out of 23
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Negative: 5 out of 23
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Sep 30, 2022
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Oct 2, 2022
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Sep 30, 2022
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Sep 30, 2022
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Dec 3, 2022
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Oct 1, 2022
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Nov 11, 2022This review contains spoilers, click expand to view.
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