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Bright guitar hooks, expansive piano and Jimi "Jazz" Prescott's driving bass create tracks like "Wiggle Worm" and "Georgia Brown" that are as engrossing as they are stress-reducing.
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UncutCatchy as hell. [Oct 2008, p.90]
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With no thrills or spills on its journey through Dutton's ideologies, a now-threepiece Special Sauce (former Boss Hog keyboardist Mark Boyce's addition is official) slinks and sways on its traditionally level medium.
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This is unapologetically breezy stuff, long on strummed acoustic guitars and shuffling rhythms.
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Superhero Brother will probably sound pretty good as background at a party, but there's not a lot of meat on these bones.
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This is what could be termed a healthy dose of parent-friendly hip hop, though now and again it threatens to spoil its reputation as it comes close to one of those dreadful ‘friend chip' adverts.
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Superhero Brother gives the impression that G. Love is deeply embedded in his comfort zone – probably not a good thing for a white guy trying to recapture the sloppy blues of his glory days.
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G. Love sounds at home pouring his heart out about his grandmother and making bong-smoker anthems, but a few numbers sound clichéd.