Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Jun 13, 2016There’s no doubting Middleton’s way with a skewed tune and a wry look at the world, but Summer Of ’13 is buried beneath the sheen of production that sits uneasily on his shoulders.
-
May 25, 2016Perversely set to chortling, bustling electropop synth figures, these songs present existence as “bounded by brackets of life and death, alone from first to last”, delivered in Middleton’s glum brogue, with only the most wafer-thin hints of humour tempering the onslaught of self-recrimination and hypochondria in a track like “Steps.”
-
UncutMay 24, 2016It takes a while to get over that initial disjuncture, and the title track is a headache-inducing mes that sounds like a Bo Diddley rhythm played on electronic toys. Other tracks slip down quite appealingly. [Jul 2016, p.76]
-
MojoMay 9, 2016Even if elsewhere the electronic elements occasionally err toward the passe, ultimately, this is as spirited as it is an unexpected cavort through altered sonic pastures. [Jun 2016, p.94]
-
May 9, 2016For any listener beholden to folk-aligned contemplation behind the rest of the similarly-monikered canon, Summer of ’13 is an anomalous curio, bringing to mind an ‘80s hit not mentioned here: Eddy Grant’s I Don’t Wanna Dance.
-
Q MagazineMay 9, 2016At times, this records triggers the vision of Ivor Cutler fronting Pet Shop Boys, the barrage of synths and layered vocals making for a mostly exhilarating experience. [Jul 2016, p.112]
-
May 9, 2016Summer Of ’13 is a welcome changing of the guard from an occasionally miserablist stalwart and hero. Disregard it at your peril.