- Critic score
- Publication
- By date
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Nelson's finest in a decade.
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Nelson sounds like he's giving it his all, and everyone around him rises to the occasion.
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UncutThe sound is urgent and instinctive. [Dec 2006, p.124]
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Q MagazineThe best Nelson set since 1996's Spirit. [Dec 2006, p.138]
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His easy delivery, contrasted with Adams wiry production, creates an emotionally honest, deeply moving recording with the best traits of both men shining forth.
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This latest entry in the old-icon-meets-young-iconoclast trend is lit up by the sparks between the principals.
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Nothing here sounds like it's been fully thought out or planned, and Songbird sounds all the better for it.
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BillboardIt's the shimmering beauty of the title track, an overhaul of the Christine McVie-penned Fleetwood Mac tune, where Adams and Nelson's styles most seamlessly, and quite beautifully, mesh. [4 Nov 2006]
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In short, [it's] a very good recent Ryan Adams record, except for the absence of Mr. Adams’s voice. [30 Oct 2006]
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Adams should be commended for doing a fine job of showing off Nelson’s considerable talents on a diverse collection of songs and styles.
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Not all the songs work as well... But Adams dials in the sound of vintage Willie on a new version of "Sad Songs and Waltzes," and suddenly the pairing seems positively inspired.
User score distribution:
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Positive: 8 out of 17
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Mixed: 3 out of 17
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Negative: 6 out of 17
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christinecMay 6, 2007
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chriscMay 6, 2007
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VickyTNov 19, 2006come on it is Wllie nelson!!!!!!!!!!