SMiLE
by Brian Wilson
  • Record Label: Nonesuch
  • Release Date: Sep 28, 2004
User Score
7.9

Generally favorable reviews- based on 522 Ratings

User score distribution:
  1. Positive: 398 out of 522
  2. Mixed: 39 out of 522
  3. Negative: 85 out of 522

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  1. RoccoS
    Jun 12, 2007
    9
    Everyone who gave it ones and zeroes probably put the cd in their car stereo on the way home from best buy, grimaced, and simply endured the first listen, like I did. They might have even listened a few more times. I've listened to it about 10 times through and I keep discovering more and more. Looking back, all of my favorite music of all time seemed random and inaccessible upon the Everyone who gave it ones and zeroes probably put the cd in their car stereo on the way home from best buy, grimaced, and simply endured the first listen, like I did. They might have even listened a few more times. I've listened to it about 10 times through and I keep discovering more and more. Looking back, all of my favorite music of all time seemed random and inaccessible upon the first few listens, but you have to devote some time to the music to be infinitely rewarded. This album is an absolute joy from beginning to end, the instrumentation is glorious and lush, NONE OF IT IS DIGITAL, and I'm only giving it a 9 because of the horrible misjudgement of changing the "Good Vibrations" lyrics.… Expand
  2. EliE
    May 29, 2007
    10
    Any flaws you could point out in Brian's vocals compared to the original tapes are drastically outweighed by the faithful attempt at reconstructing this greatest of lost pop albums.
  3. chirs
    May 25, 2007
    10
    are you people insane? this album is amazing. it's wonderfully weird and genius.
  4. TedG
    May 21, 2007
    10
    What's so impressive about this album is how ahead of it's time it is today, 40 years since it's conception. The Polarized reviews speak to this. The album beautifully details American mass culture, with both ideas deep and adult, as well as childlike and innocent.
  5. erikb
    May 7, 2007
    3
    one of those albums that you'll force yourself to hear all the way through because you "should," and then realize it is totally impossible to listen to. Can't really say I enjoyed this one at all, which is tough to admit given all the hype. Maybe I don't "get it" but I think the emperor's new clothes comment got it right.
  6. danielb
    May 3, 2007
    1
    What a disappointment! All time highest score in Metacritic? Now I get it, Rock "critics" only give value to their own nostalgia and deep in their hearts they despise any music created after 1969. This album is not bad in the same way that some elevator songs are acceptable and even catchy. I don't care about the lyrics, the music in Smile is plain boring and no grandstanding about What a disappointment! All time highest score in Metacritic? Now I get it, Rock "critics" only give value to their own nostalgia and deep in their hearts they despise any music created after 1969. This album is not bad in the same way that some elevator songs are acceptable and even catchy. I don't care about the lyrics, the music in Smile is plain boring and no grandstanding about now genius Pet Sounds was will convince me of the contrary. Let me say it again: the music is utterly boring. It is the same annoying high pitched whining for 40 minutes. Can Rock critics talk about the music of the albums they review for once? If I wanted … Expand
  7. BenC
    Apr 28, 2007
    3
    The original is incredible, this is mediocre at best. It has so many stops and starts in the middle of songs that it gets annoying. Tedious is the one word i would use to describe this new album
  8. JPublius
    Apr 15, 2007
    2
    Horrid. The updated lounge band production of this album is so far from the mid-60s Beach Boys magic as to be unrecognizable. The great myth of "Smile" is that it was somehow unfinished, as if Wilson were on the cusp of writing great new material that would link everything together when pressure from his bandmates and label forced him to stop working on the record. This is ridiculous: Horrid. The updated lounge band production of this album is so far from the mid-60s Beach Boys magic as to be unrecognizable. The great myth of "Smile" is that it was somehow unfinished, as if Wilson were on the cusp of writing great new material that would link everything together when pressure from his bandmates and label forced him to stop working on the record. This is ridiculous: Smile was as finished as it was ever going to be, mostly due to its principal songwriter/producer having reduced himself to drug-addled mush. The Smile sessions were a story of diminishing returns, capped by endless studio tweakery at the end to produce the recording Wilson himself had promised Capitol by Jan 1967. The music was there--as numerous bootlegs and "rough mixes" conclusively prove. It wasn't the best pop album in history, and it was never going to be. But it was certainly far superior in every aspect to the mess the group released in its place, the career-killing disaster known as "Smiley Smile." It was also far superior to this slicked-up recording, with its mind-bogglingly awful version of Good Vibrations featuring lyrics not by Mike Love, which,given almost endless lawsuits that have marred the group's existence since the 60s, is probably the real reason why the original Smile never saw the light of day then, nor in the 80s, nor now. Sorry, Brian-worshippers. I just cannot get into a shallow re-recording of a famous lost album by a composer/singer long past his prime backed by studio musicians who just don't get it. The real Smile exists out there--it always has. You just have to look for it...… Expand
  9. SanderV
    Mar 17, 2007
    10
    Altough the original tapes sound warmer, the real winning point for this version is its cohesiveness. I never thought it could be pulled of, but it works and it's brilliant. It's a trip, from beginning to end.
  10. DarylS
    Mar 10, 2007
    9
    Ok I'm 15 and (I'll admit it) very impressionable, I get this album based on metacritic's 97 average with very little previous beach boys experience and absolutely no idea what to expect. I've had only 3 listens so far and it's still growing on me - I'm still not sure what if the rave reviews are all genuine or if many are due to the hype and mythology Ok I'm 15 and (I'll admit it) very impressionable, I get this album based on metacritic's 97 average with very little previous beach boys experience and absolutely no idea what to expect. I've had only 3 listens so far and it's still growing on me - I'm still not sure what if the rave reviews are all genuine or if many are due to the hype and mythology surrounding it but all I can say is like it. I like it a lot. Maybe I don't appreciate it the same way as many other people do and i can't quite understand this being the "greatest album ever" but it is a very good listen and i hope more and more listens will reveal just how good it is to a poor boy whos been forced to grow up with Justin Timberlake and 50 Cent like myself.… Expand
  11. Rick
    Feb 19, 2007
    10
    After reading the majority of comments, I have come to this conclusion. The negative reviews are from young dead-eared rap-damaged musically retarded people who wouldnt recognize a good melody if it bit them and collegiate musical zipperheads w/ their heads so far up there own butts they judge music by how complex it may look on a score instead of by their ears,heart and soul! So sad for After reading the majority of comments, I have come to this conclusion. The negative reviews are from young dead-eared rap-damaged musically retarded people who wouldnt recognize a good melody if it bit them and collegiate musical zipperheads w/ their heads so far up there own butts they judge music by how complex it may look on a score instead of by their ears,heart and soul! So sad for you and the future of music and humanity. If you love melody,harmony and muisc as an artform this album is for you! Ignore these sad sad people and SMiLE instead.… Expand
  12. BrendanD
    Feb 19, 2007
    6
    Before I begin my review, I want to make something very clear: I worship at the temple of Brian Wilson. "Today!" is my favorite Beach Boys record, but, with the exception of "MIU Album," I love everything the Boys did from the early '60s through 1979's "L.A." I also enjoy the Wilson-Paley Sessions, and I even have a very special guilty pleasure song for the sample-heavy Wilson Before I begin my review, I want to make something very clear: I worship at the temple of Brian Wilson. "Today!" is my favorite Beach Boys record, but, with the exception of "MIU Album," I love everything the Boys did from the early '60s through 1979's "L.A." I also enjoy the Wilson-Paley Sessions, and I even have a very special guilty pleasure song for the sample-heavy Wilson rap spectacular/debacle (depending on one's point of view), "Smart Girls." When Wilson first announced he'd be performing "Smile" live, I was ecstatic; when I finally heard a copy of the live shows, I was even more enthralled. Pieces I'd been assembling for years fit together almost, though not quite, how I'd envisioned. "Holidays" sounded magnificent, "Vega-Tables" hilarious, and "Child is Father of the Man" more haunting than I ever would have dreamed. I couldn't wait for Wilson to release the album version, but my hope was that it'd be the concert, much like he had for "Pet Sounds Live." The album, as it stands today, isn't what it should be, and it certainly isn't what it was. In 1967, "Smile" would have been as revolutionary, and perhaps moreso, than the "Good Vibrations" single. But there's a lot missing. First and foremost, the production is awful. That's not to say that it's bad production on Wilson's, or anyone else's, part; rather, it's the wrong kind of production for this type of music. Computer editing works incredibly well for the bands Wilson and his Boys influenced -- acts like the Flaming Lips, the Super Furry Animals, and the Polyphonic Spree --, but left to Wilson, it simply comes off as hackneyed. This is most likely due to rock music's having advanced almost forty years between the original recording and the eventual release of "Smile." However, there's a bigger issue here: musicianship. No, Wilson's voice isn't what it was, but the backing band he's been using on tour is more than capable of picking up the slack on the road. That's fine for tours, but in the studio, these folks aren't capable of the magic of the six Beach Boys and the Wrecking Crew, which recorded most of the Boys' backing tracks in the '60s. There are little changes that don't work as well. The tinny harpsichord from the '60s sessions are replaced by a much more digital-sounding one, and the result makes the sound of "Heroes and Villains" go from a crazy acid trip to a mellow pharmaceutical high, "Wind Chimes" from hauntingly serene to childishly incompetent. No one is able to capture the "You're under arrest" line from "H&V" quite like Denny Wilson did. And most violatingly, the reversion to Tony Asher's lyrics for "Good Vibrations" is an unbelievably bad choice. Although I champion re-upping the "Hum-be-dum" chorus tag, which is among the most beautiful ideas Wilson's ever had, and though I hate admitting it because I dislike the man so very much, Mike Love's lyrics really were better. Finally, whereas "Smile Live" was literally that -- alive --, "Smile: The Album" sounds flat and dead and mundanely average. Wilson is capable of great things, especially with concerts; but this album is a true-blue disappointment. If you really want to get a look at what "Smile" is all about, find a bootleg of the session tapes, and then watch the "Smile Live" DVD; but skipping this tepid recording won't ruin your life or musical experience at all.… Expand
  13. Rog
    Feb 12, 2007
    10
    Outstanding music - for any era.
  14. stephj
    Jan 19, 2007
    10
    music does not get better than this. kudos to Brian Wilson. If only there was music of this caliber today.
  15. danh
    Jan 11, 2007
    10
    This album is better than pet sounds. It is amazing but would have been better if the other living beach boys were on it.
  16. JasonF
    Jan 10, 2007
    1
    Complicated? Yes. Good? Helllll no. One of the worst albums I've ever heard. I really wanted to like it too.
  17. KitS
    Jan 5, 2007
    10
    I am an old Beach Boys fan, born in 1952. My wife and I saw Brian Wilson and his band perform this at Warner Theatre, Washington, DC, Oct. of 2004. It was the best concert that either of us had ever attended. Despite the fact that we are two shy white nerds, we were dancing to the Beach Boys tunes they did after Smile was performed. We bought the album Smile and the DVD, listened to it I am an old Beach Boys fan, born in 1952. My wife and I saw Brian Wilson and his band perform this at Warner Theatre, Washington, DC, Oct. of 2004. It was the best concert that either of us had ever attended. Despite the fact that we are two shy white nerds, we were dancing to the Beach Boys tunes they did after Smile was performed. We bought the album Smile and the DVD, listened to it many times. We are silly, nerdy people and both vegetarians. We LOVE the Vega-tables tune. As for power tools and barn yard animal noises, we found this funny and whimsical, comic relief. The composition, the arrangements, the performances, it is all top rate. We find it very positive, spiritual, uplifting, a bright light of inspiration. Smile is lots better than the pop, "house music" and rap garbage that pretentiously poses as "music" these days. Brian Wilson is a master and he and his work deserve some serious respect.… Expand
  18. RichardK
    Dec 15, 2006
    7
    This album is good, but how it got its ranking I'll never understand. I'm obviously missing something. On the other hand, why do some people give 1's and 2's? Is it just to offset the misplaced 10's? Metacritic's ratings always tend to the extreme.
  19. EvaB
    Nov 29, 2006
    10
    The smallness of vision of the touring Beach Boys for rejecting Brian's SMiLE is staggering. The good thing about this album taking so long to be released is that I am now old enough to savor it. I was a small child when the Beach Boys were at their hieght so their music was "standard" to me. I didn't see the inovation in any of it because I was too young and since it was the The smallness of vision of the touring Beach Boys for rejecting Brian's SMiLE is staggering. The good thing about this album taking so long to be released is that I am now old enough to savor it. I was a small child when the Beach Boys were at their hieght so their music was "standard" to me. I didn't see the inovation in any of it because I was too young and since it was the music that I was growing up to there was nothing remarkable about it to me. Listening to SMiLE now makes me want to go back and actually listen to the other Beach Boys music as albums rather than just singles. Wilson and Van Dyke Parks made majic.… Expand
  20. AH
    Nov 20, 2006
    2
    Credit must be given to the level of creativity and variety on this album. In saying that however, variety without purpose and cohesion can be a bad thing and this album, after about Track 11, becomes really tiresome. Track 12 Vega-tables is just a montage of goofy sounds and nonsense.
  21. ChrisB
    Oct 30, 2006
    10
    The most artistic album of all time. This proves that Brian does not need those coat-tail riding, freeloading Beach Boys. Here is a group of dedicated musicians doing justice to some of the most original American music since Copeland. God Save Brian Wilson!
  22. JackH
    Oct 23, 2006
    10
    Simply the best album since Abbey Road.
  23. Mr.X
    Oct 17, 2006
    10
    So Andy McD must think the crap that those retard rappers and pop artists put out is music. Today's music is such a de-evolution when it comes to musical progress that it makes me sick! It is a good thing I have Brian Wilson's Smile as my medicine. What an excellent album! Great musical and vocal arrangements.If you want to hear real music purchase this album.
  24. AndrewF
    Oct 3, 2006
    10
    One of the top 5 albums of all time. His voice is a little different, but certainly not bad, and the backing band is better musically than the beach boys. The only thing it is missing, is Carl, Mikes, Brian (in his 20s) voices. Only albums ahead of it are Pet Sounds, Revolver, Highway 61, and Sgt. Peppers.
  25. RobertA
    Sep 24, 2006
    10
    So good!
  26. DaleB
    Sep 23, 2006
    10
    When you listen to the arrangments, not just the music, but the vocal arrangments, this album towers above any other piece of pop music I have heard. You really need to watch the DVD concert video to take in all that is going on with this musical materpiece. SMiLE is brilliant! And to think Brian and Van Dyke did this at age 23? Mindboggeling!
  27. Ben
    Sep 17, 2006
    8
    It would have been a disapintment if released earlier... simply not comparable with pet sounds or any beatles records
  28. Illiniq
    Aug 21, 2006
    6
    Belongs right next to Pet Sounds as one of the most critically overrated pieces of work in all Rock and Roll history...silly and in many moments intensely unlistenable... How I wish it had been release in it's own era so it could have been properly assessed as fitting into the Beach Boys body of work just as one thinks of Satanic Majesties for the Stones, Let it Be for the Beatles, Belongs right next to Pet Sounds as one of the most critically overrated pieces of work in all Rock and Roll history...silly and in many moments intensely unlistenable... How I wish it had been release in it's own era so it could have been properly assessed as fitting into the Beach Boys body of work just as one thinks of Satanic Majesties for the Stones, Let it Be for the Beatles, or Nashville Skyline for Bob Dylan. Other than the classics we've already known for forty years (Good Vibrations, Heroes and Villians, Vegetables) the rest of this is just lame, annoying pop pasiche completely unworthy of any "genius" label.… Expand
  29. JohnL
    Aug 19, 2006
    10
    It took me forever to finally get around to this, and I am absolutely blown away. It is BETTER than the raves. I honestly didn't know what to expect, with all the super hype, and I am just amazed. The last original thing he did that I loved was the self titled 1988 album. It would've been a wonder in 1967 to be certain, but I honestly can't imagine a better version than It took me forever to finally get around to this, and I am absolutely blown away. It is BETTER than the raves. I honestly didn't know what to expect, with all the super hype, and I am just amazed. The last original thing he did that I loved was the self titled 1988 album. It would've been a wonder in 1967 to be certain, but I honestly can't imagine a better version than this one. What a great ending to a great story !!!… Expand
  30. GiovanniO
    Aug 17, 2006
    2
    Why are most reviewers giving this album a 10? When you rate an album do you consider overall enjoyability for adults that did not grow up in the 60's? As an open minded individual I can appreciate any music regardless of age or type, but as a reviewer I could not give a 10 to an album based on its history or lenght of creation. Rome was not built in a day but it fell in one...
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Awards & Rankings

1
#1 Best Album of 2004
3
#3 Most Discussed Album of 2004
15
#15 Most Shared Album of 2004

Critic Reviews

All reviews »
Metascore
97

Universal acclaim - based on 29 Critic Reviews

Critic score distribution:
  1. Positive: 29 out of 29
  2. Mixed: 0 out of 29
  3. Negative: 0 out of 29
  1. Tiny Mix Tapes
    100
    Smile is quite simply the greatest triumph in the history of pop music.
    Read full review
  2. Village Voice (Consumer Guide)
    100
    Smile's post-adolescent utopia isn't disfigured by Brian's thickened, soured 62-year-old voice. It's ennobled--the material limitations of its sunny artifice and pretentious tomfoolery acknowledged and joyfully engaged.
    Read full review
  3. Los Angeles Times
    100
    "Smile" emerges as a beautiful and cohesive work, at times deeply moving, at others oddly whimsical, at still others eerily disturbing but celebratory. [27 Sep 2004]
See all critic reviews »