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Skeletá Image
Metascore
78

Generally favorable reviews - based on 10 Critic Reviews What's this?

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  • Summary: The latest full-length release from Swedish rock band Ghost was produced by Gene Walker and mixed by Dan Malsch and Andy Wallace.
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Score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
  1. Apr 30, 2025
    80
    "Marks of the Evil One" and "Umbra" (I hope you like cowbells) could have easily been singles, they’re that good, and they solidify Skeletá as a worthy new chapter in the history of the only mainstream band that is able to sing about Satan in stadiums while having the ultra catholic zealots silent as a grave.
  2. 80
    Through a rich exploration of genres and a new level of emotional depth, it becomes clear that ‘Skeletá’ was made with a new vision in mind, and comes as the promising start of a new Ghost chapter.
  3. Apr 22, 2025
    80
    There are those in the world folks like to refer to as “old souls”; Skeletá is the LP equivalent to that characterization, an anachronistically fresh piece of work that mimics the aspirant, rebellious spirit of wild, bygone years of bad hair, terrible politics, and even worse economic policies.
  4. Apr 24, 2025
    80
    There are bands that lavish in the fondue of modern hard rock without the cheese, but not Ghost. Ghost is fun.
  5. Apr 30, 2025
    70
    Skeleta is the band’s most immediate and accessible release to date, it is also perhaps the least satisfying to early impressions, and recommends itself to a certain level of patience, paired with a prudent refusal to make the unflattering comparison to stronger versions of Ghost that populate their back catalogue. All issues thrust aside, listeners are left with a fun-loving, tasty-snack version of Ghost, regrettably lacking in satisfying meatiness, but absolutely caked in pretty frosting to make up for it.
  6. Jun 10, 2025
    70
    As strong as much of Skeletá is, Ghost’s usual contagious energy feels depleted. Its more measured approach does lend an appealing atmosphere of sadness that looms over the entire record, but fans will be clamoring for more energy and menace amidst the garishness next time around.
  7. Apr 22, 2025
    50
    Suffers from wearyingly similar production, with vocals consistently at the front of the mix and the same guitar and synthesizer sounds repeated throughout. Tracks like “Peacefield,” “Umbra,” and the uptempo “De Profundis Borealis” are decent slices of ’80s stadium rock, but it’s all overly compressed, robbing songs like “Satanized” and “Cenotaph” of any real edge.

See all 10 Critic Reviews