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Apr 19, 2017Goldfrapp hark back to the bombast of a time when electronica was all about man (or woman) versus machine. On Silver Eye, the machines are ascendant.
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Apr 3, 2017Silver Eye sags badly in the middle. Faux Suede Drifter and Zodiac Black , in particular, are all texture and no song, ambient washes of sound topped with uncharacteristically disengaging vocals. It all makes for a slightly underwhelming whole.
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Mar 30, 2017Its highlights will do for now--there’s great stuff here--but it’s hard not to compare it to the days when you never quite knew what a Goldfrapp album would contain, or to hope they opt for another dramatic stylistic shift in future: it’s better to embody the idea of transformation than to sing about it.
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Q MagazineMar 21, 2017Silver Eye's strength lies with its strong sense of mood rather than any truly memorable material. [May 2017, p.104]
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Mar 21, 2017Despite collaborations with ambient-drone producer the Haxan Cloak and John Congleton (best known for his work with St. Vincent), musicians Alison Goldfrapp and Will Gregory have failed to materially push their sound in new direction.
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Mar 31, 2017Too much of Silver Eye keeps something back. But if “Zodiac Black” signals the next step in the evolution of Goldfrapp, maybe that reluctance will eventually prove to be worth it.
Awards & Rankings
User score distribution:
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Positive: 39 out of 52
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Mixed: 9 out of 52
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Negative: 4 out of 52
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Mar 31, 2017
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Apr 2, 2017
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Apr 2, 2017