• Record Label: Anti-
  • Release Date: Oct 4, 2024
Metascore
79

Generally favorable reviews - based on 6 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
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  1. Oct 9, 2024
    87
    Overall, it’s a wholly engaging listen, texturally varied, and probably her most consistent record to date. Nearly every turn here, nearly every transition, feels right.
  2. Oct 10, 2024
    84
    To these ears See You At The Maypole is far more consistent in quality, despite being by far the artist’s longest release, at seventeen tracks and nearly an hour in duration.
  3. Uncut
    Oct 9, 2024
    80
    Frequently offers moments of joy. A wider range of live musicians – harp, clarinet, violin, vocal ensemble – give songs like “Collect Color” and “Big Dipper” room to breathe and lend sparser, more electronic-based tracks like “Violetlight” and “Heartwood” a sense of intimacy by comparison. [Nov 2024, p.37]
  4. Oct 10, 2024
    74
    Ultimately, the album functions as an offering, an effort to commune with the listener despite the limitations of language and the specificity of her pain.
  5. Oct 9, 2024
    70
    Generally even more affecting are relatively spare entries like the lilting, piano-centric ballad "Sunset Hunting," the eerie "Violetlight" ("Enclosing a disaster"), and the environmental "Mother Tongue" ("I should be angry/But I'm just tired"), although nothing on See You at the Maypole is simple or without determination.
  6. Oct 9, 2024
    70
    ‘See You At The Maypole’ is a challenging listen not through sound or even particularly subject matter, but in not reaching its end under a similarly black cloud as the record itself.

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