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- Summary: CAN co-founder Irmin Schmidt worked with René Tinner on his latest full-length solo release created at his home in France.
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- Record Label: Mute
- Genre(s): Classical, Avant-Garde
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Score distribution:
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Positive: 6 out of 6
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Mixed: 0 out of 6
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Negative: 0 out of 6
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Apr 27, 2026Whether you choose to hold the eco themes in mind or simply revel in its textures, Requiem is a gripping listen, a powerful late work from a veteran who has weathered more storms than most. [May 2026, p.24]
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Record CollectorApr 27, 2026A fearless oasis of natural calm for a world that desperately need it. [May 2026, p.103]
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Apr 27, 2026Requiem is unlikely to be an album that creates a new legion of converts, but for devotees of this true innovator it’s an incredibly rewarding one.
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The WireJun 2, 2026The dignified transitions between the different movements of Requiem get a little predictable at times, and its sense of tight control is anathema to the turmoil of Can's most memorable moments. But there is a poignancy in the weight and pressure of Requiem, and the way Schmidt tries to get all of its pieces in order. [Jun 2026, p.61]
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Classic Rock MagazineApr 30, 2026An album of quiet, immense beauty. [Jun 2026, p.72]
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Apr 27, 2026A meditative work reflecting on loss and commemoration, as well as nature and the environment. The slowly unfolding composition, divided into two parts, is intended for deep listening.