Relaxer

Relaxer is a special album. [Aug 2017, p.101]

Relaxer dazzles and delights the ears yet still feels like the work of a band who might have something to say, if they weren’t too precious to actually come out and say it.

They’ve created something quite distinct from their former work. In this regard, Relaxer places them firmly back on track.

On Relaxer, alt-J sound utterly, wonderfully like no one but themselves.

Great album, if not entirely relaxing.

This all-over-the-map approach makes Relaxer a bit dizzying and tough to digest at first, and yet you'll be immediately captivated and intrigued by its distinctive mix. And once you give it a few more listens, many of its varied songs will worm their way into your ears as some of this summer's best indie rock offerings.

For a record so brief, its ability to evoke scale--while still carrying the distinctive sound of the band that surprised us all with An Awesome Wave back in 2012--is testament to Alt-J’s demonstrable talents as artists.

alt-J can twist ordinary feelings into something darkly seductive and unsettling, peeling away comfortable layers of emotion until all that’s left is its raw, exposed core. Each song reveals its own slice of disturbed history, set to the band’s warped perceptions of sadness, death and lust, with cold reality as its backbone.

While it's surprisingly early in Alt-J's careers to release what is essentially their version of an acoustic album, Relaxer provides a necessary change-up that keeps the band's iconic sound from becoming a caricature of itself.

Clocking in at just under 40 minutes, the album's dizzying stylistic shifts and offbeat arrangements are rendered refreshingly palatable, and even when the band's artistic hubris is drawn front and center, as it is on the aforementioned "Hit Me Like That Snare" and a spectral, almost completely rewritten version of "House of the Rising Sun," there's usually enough craftsmanship on hand to offset the overall air of importance.