Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Oct 16, 2015The real strength of the record comes in giving you that reason to come back to Nobody Wants To Be Here and Nobody Wants To Leave in a way that provides something new. If you loved that album, you’ll love this and probably prefer the original.
-
MagnetNov 17, 2015The stark, live rendering at Oran Mor reveals the quiet beauty and strength these songs possessed all along. [No. 126, p.61]
-
Oct 20, 2015“The Airport” and “Leaving the House” add piano to the partnership of Graham’s voice and MacFarlane’s guitar playing (he switches from a clean and quiet electric on tracks one to five, to an acoustic on six to eight), and the color it brings to both makes one wonder what it might have sounded like had it been included on the other songs as well. On the other hand, it’s a small revelation to discover how whole and affecting songs like “I Could Give You All That You Don’t Want” and “Drown So I Can Watch” can be with a few circulating quietly strummed chords and Graham’s austere and ecstatic declamations.
-
Oct 16, 2015A sullen, beautiful bleakness seems to entomb the entire recording.
-
Oct 16, 2015Organic, intimate and well worth adding to anyone's collection. Grab that jumper and enjoy.
Awards & Rankings
There are no user reviews yet.