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An exciting introduction to an extraordinary artist captured at just the right time.
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BillboardFully realized and largely insane. [4 Nov 2006]
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Her subject matter is goofier, her flow is dumbed down and her beats are staler.
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Every song seems like it all went through a grime factory conveyor belt, and at the expense of being cohesive, Public Warning grows a bit repetitive.
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She undoubtedly has a great record or two in her. This, sadly, isn't one of them.
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With solid production throughout, there’s little to slight Public Warning besides Sov’s hang-up with her diminutive physical stature.
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Lady Sov's street cred, raw talent, and gumption can't mask Public Warning's faults--like overly frenetic beats and a handful of choruses that rely on tuneless yelling instead of a good refrain.
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FilterA thin and innocuous stretch of yawners. [#22, p.97]
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A full-length debut strong on deft, cheeky wordplay and blessedly free of the usual hip-hop clichés burdening her American counterparts.
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The lyrics here are a lacerating mix of blue collar bile and blue language, little Lady Muck simultaneously waging class and crass warfare.
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Though Sov hates the comparison, "Public Warning" does recall Eminem's early work. It's uproariously funny, for one thing, with a cutting anger lurking just behind the jokes.
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There isn’t much that Lady Sovereign did prior to Public Warning to gain the amount of respect that she attempts to command and, to some extent, she still doesn’t make it all up here. But at least this is a good start to showcase her abilities.
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MojoThe joke's pretty much over after one listen. [Feb 2007, p.106]
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If a classic pop album is something that defines the moment, is rammed with ideas and necessarily crammed with singles, then Lady Sov's cracked it first time out.
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New Musical Express (NME)A vital trans-Atlantic concern, the point where Dizzee meets Jay-Z. [3 Feb 2007, p.33]
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She catchily sends up herself, her Britishness and the unlikelihood of her (likely) stardom.
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From production to persona, rhymes to flow, Public Warning is almost flawless.
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Paste MagazineSov doesn't sound quite as explosive here as she did on her legendary demo tracks, but there's no containing her charisma. [Oct 2006, p.75]
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For every moment that Sov's supreme wit and impeccable cadence is fitfully showcased on Public Warning!, there is a moment when her gifts are squandered amidst anxious beats that try to compete with her huge personality.
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'Public Warning' is a good record. It's just unfortunate that (no doubt at the behest of the major label moneymen) Sov's Stateside commitments have led to it emerging here rather bloated, feebly, and late.
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On Public Warning, Lady Sovereign explores the natural edges of her characteristic sound and emerges a more fully-realised artist.
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Even if Sov doesn't live up to the hype, there is enough quality material on Public Warning to warrant more music from the self-proclaimed "biggest midget in the game."
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Q MagazineA cheap production slightly undermines, but the world is hers. [Mar 2007, p.111]
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At times Sovereign exceeds at being entertaining and at other times her simplistic lyrics, heavy accent and electronic beats prove to be too much to grasp.
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Despite some uneven striving-for-maturity moments... Sov's at her best when she doesn't take herself too seriously.
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The slick, flashy façade that renders tracks like the predictable "Love Me Or Hate Me" and the bland title cut seemingly hollow detracts from the obvious skill of the self-proclaimed "biggest midget in the game," making Public Warning less of an instant classic and more of a promise of things to come.
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SpinThe toughest cuts are still the early singles. But shorty's in the process of becoming something bigger than a hot, patois-spitting grime MC. [Nov 2006, p.101]
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An irritating listen.
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Even if Sov doesn't cross over the way she or Def Jam might want her to, she still sounds like an original--even for people who know half the songs already.
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Public Warning is the sound of a fantastic artist seemingly intent on compromising all her strengths.
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UncutThe contrived newer stuff suggests she should stop trying to impress US hip hop royalty. [Mar 2007, p.91]
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UrbThough it's a letdown to revisit [the five EP cuts] in place of new material, "Those Were the Days," "My England" and "Love Me or Hate Me" make up for it largely. [Oct 2006, p.115]
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VibeA gleeful, idiosyncratic pastiche. [Nov 2006, p.156]
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It's all very funny and cheeky, but after a full album's worth it grows cloying, like a good Saturday Night Live skit that's two minutes too long.
Awards & Rankings
User score distribution:
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Positive: 17 out of 28
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Mixed: 2 out of 28
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Negative: 9 out of 28
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Aug 18, 2010
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MarcelBMay 30, 2009Lady Sovereign is the most courageous singer I seen in a long time. The album is one of the bests in the style I ever hear. Loved her!
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SimonBMay 14, 2008