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Nov 10, 2016All of these references are used so tastefully as to nullify any potential excitement, making for a record that will wash over you pleasantly, without leaving much of a mark.
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Nov 3, 2016At times, this record can come across as little more than a variation on one of those CDs of new age music designed for meditation and spiritual well-being--Marim, for example, is a collage of pan-pipe-like sounds and water noises, and Omar could feasily belong to the type of compilation called Rainforest Colours--but there are some treats here.
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Nov 1, 2016Bayonne twists and folds thousands of layers and loops, utilising the echoes of old pianos and draining sinks to add some earth to his technical wizardry.
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Nov 1, 2016Electronic music edges ever so slowly toward nausea, a tendency to turn music into math. The best artists fight this with loving restraint. Bayonne is close to the mark, but there might be a few times when you reach for the volume and just say “enough” with the looping. Then there are times when it does work, as on the song “Spectrolite” with a heavier emphasis on analog instruments.