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Jun 30, 2016If the consistently lovely Piano is radical at all, it’s in a subtle and contextual way, serving partly as a space for Taylor to investigate several of his own previously released compositions and a few covers with a quiet kind of focus, and partly as a sustained exercise in mood.
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Q MagazineJun 29, 2016A block off the old Chip. [Aug 2016, p.117]
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Jun 20, 2016It’s just him, a piano and a bunch of songs (some original, some standards), and they feel so raw that listening to them borders on the uncomfortable.
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Jun 13, 2016Taylor is no stranger to wearing his heart on his sleeve, Piano takes that notion one step further--it’s as if Taylor is taking his heart out for everyone to see, then discreetly leaving it on your coffee table.
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UncutJun 9, 2016On his third solo album, he's found a niche that suits him. [Jul 2016, p.81]
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Jun 9, 2016To cap things off, there's an untitled track that feels distinct from the rest of the album, it's recorded in a pre-war style and sees a guitar gently plucked next to Taylor's voice. It's a charming end to a stunning, yet intense emotional ride that Piano takes you on.
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Jun 9, 2016If you prefer the full band version over the solo, chances are you’ll dip into Piano occasionally, pulling your favorite tracks out for personal playlists. If you gravitate toward the solo rendition, the complete piano might be your background music of choice during those long, post-dance party Uber rides of the soul.
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Jul 26, 2016The album plays to his greatest strength, his gorgeous falsetto. It compensates for the fact that the instrumentation is pretty enough, but quite rudimentary.