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Q MagazineNov 22, 2017Opener 9:13 is too close perhaps to Brian Eno to make much of an impact. But when a chorus of ghostly voices rise above the fractured piano of Phantom Brickworks III, the theme really works, offering a genuinely unsettling air of spookiness. [Jan 2018, p.106]
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Nov 2, 2017Wilkinson's eighth full-length shows the musician's adeptness at thoughtful, patient compositions, but he seems to have forgotten the value of self-editing.