• Record Label: Merge
  • Release Date: Jun 4, 2013
Metascore
79

Generally favorable reviews - based on 21 Critic Reviews

Critic score distribution:
  1. Positive: 19 out of 21
  2. Negative: 0 out of 21
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  1. Jun 5, 2013
    90
    With Personal Record, Eleanor commits even more strongly to straightforward, sentimental, and concise songcraft.
  2. 85
    In Personal Record, Eleanor Friedberger has delivered on every promise she’s ever made with her music, and come up with an ever-unfolding, fully-realised gem.
  3. Jun 4, 2013
    83
    If Last Summer shut the door on Friedberger’s former knack for erratic musicianship and off-the-cuff arrangements, Personal Record slides the bolt firmly in place.
  4. Jun 5, 2013
    81
    Despite Friedberger’s singular phrasing and voice, there’s something inviting and comfortingly familiar about Personal Record’s approach to pop melody.
  5. Jul 3, 2013
    80
    An album full of fresh twists and turns, musically and lyrically, and a song cycle full of melody and surprise.
  6. Mojo
    Jun 17, 2013
    80
    With unerring melodies, Eleanor F hits the sweet spot time after time. [Jul 2013, p.84]
  7. Uncut
    Jun 6, 2013
    80
    This follow-up is lighter still, housing Friedberger's gorgeous voice and diary-entry love songs within a freewheeling sound that bounces around the late '60s and '70s, looking for classic pop clues. [Jul 2013, p.75]
  8. Jun 6, 2013
    80
    Despite these retro touches, there’s something modern about the album’s ability to shrug off heartbreak, to grab victory from the jaws of defeat and then kick defeat in the jaw for being such a dick.
  9. Jun 5, 2013
    80
    Friedberger has always been a storyteller, but these tracks are rife with the kinds of details that breathe life into fiction, like white socks on a girl roller-skating down Market Street ("When I Knew"), and characters with names like Reggie and Peter ("I'll Never Be Happy Again").
  10. Jun 4, 2013
    80
    “My Own World” might as well be a microcosm of what Personal Record is as a whole as the best example of why the album works as well as it does, just quirky enough to stay true to Eleanor Friedberger’s one-of-a-kind perspective as an artist, while bringing you into her very own world more than ever before.
  11. Jun 4, 2013
    80
    Even if the album is more comforting than exciting, it's still an enjoyable portrait of Friedberger's artistry: warm, genuine and a little mischievous.
  12. Jun 4, 2013
    80
    It’s Friedberger’s lyrics and delivery that unite these various touchstones, as fresh and distinctive as ever, incredibly poignant and powerfully aware of her self and the signifiers that surround her.
  13. Jun 21, 2013
    70
    Personal Record doesn’t always have the focus and sense of place that made Last Summer great, but it’s pop music on a grander scale, both in sound and theme.
  14. Jun 12, 2013
    70
    Another summer album of frisky, playful, intelligent, tune-filled wonder from a great songwriter born to put a massive slobbering smile on yer face.
  15. Jun 10, 2013
    70
    The universal themes and her way to create tales that draw you in, make for an album that’s more emotionally resonant than her debut.
  16. Jun 7, 2013
    70
    A poster child for all things 1970s, Friedberger’s obsession with the decade colors the album with a breezy charm.
  17. Jun 4, 2013
    70
    Her second LP is full of crisp, jangly indie pop that can suggest Harry Nilsson or a bookish early Stones, and it's packed with stories of young people too mopey and absent-minded to realize the person across the bar is hitting on them.
  18. Jun 4, 2013
    70
    Broucek's analog approach gives each recording a warmth, and all of the separate instruments are given proper attention. Because of this and more, Personal Record is another fine entry in Eleanor Friedberger's career.
  19. 63
    A record that feels wonderfully askew, making Personal Record a challenge worth taking.
  20. Jun 4, 2013
    60
    While much of the record has one foot in 70s AM radio, Friedberger’s past cannot help but ensure that there’s an inquisitive, often eccentric worldview at the heart of each of these songs.
  21. Jul 1, 2013
    40
    What we have here is an album’s worth of incredibly passive, indifferent music-making.
User Score
8.3

Universal acclaim- based on 11 Ratings

User score distribution:
  1. Positive: 9 out of 11
  2. Negative: 0 out of 11
  1. Dec 8, 2013
    9
    Eleanor Friedberger gives us a nice breeze of indie-pop perfection. Somehow, without her group The Fiery Furnaces, she rocks with a more easyEleanor Friedberger gives us a nice breeze of indie-pop perfection. Somehow, without her group The Fiery Furnaces, she rocks with a more easy freedom. It's very pleasant as it doesn't sound forced as even some of The Fiery Furnaces albums did. These are the kinds of songs that I am looking for big stars like Katy Perry to be writing, but instead they are writing as though they are little girls still in high school. And I'm supposed to be excited by a possible romance between Katy and some other superstar singer. I don't want news of romances and blase music. I just want good music written and sung nicely as Eleanor does on this album. Full Review »
  2. Jun 6, 2013
    8
    Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah,Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Yeah, it's good. Full Review »