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The WireOct 21, 2025Both Ishibashi and O'Rourke have spent lifetimes devoted to improvisation, and even if they only pick up a conventional instrument here and there on Pareidolia, the magic they weave on computers is no less spontaneous. [Oct 2024, p.54]
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UncutOct 21, 2025The greatest pleasure of its four eloquent tracks comes from the way the duo hint at narrative, delicately suturing disparate sounds to build a complex electro-acoustic suite. [Oct 2025, p.29]
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Oct 21, 2025It's like the two musicians are navigating their way through the wilderness without knowing where they're headed, yet once they finally get there, they backtrack and trace a logical path so that it seems like they knew what they were doing the entire time.
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MojoOct 21, 2025The results are sometimes sublime, like the numinous drones and electronic eddies of Do, at other times unsettling and vaguely dystopian. [Nov 2025, p.89]